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The Occult Significance of Blood
" “Blood is a very Special Fluid” Each one of you will doubtless be aware that the title of this lecture is taken from Goethe’s Faust. You all know that in this poem we are shown how Faust, the representative of the highest human effort, enters into a pact with the evil powers, who on their side are represented in the poem by Mephistopheles, the emissary of hell. You will know, too, that Faust is to strike a bargain with Mephistopheles, the deed of which must be signed with his own blood. Faust, in the first instance, looks upon it as a jest. Mephistopheles, however, at this juncture utters the sentence which Goethe without a doubt intended should be taken seriously: “Blood is a very special fluid. ” Now, with reference to this line in Goethe’s Faust, we come to a curious trait in the so-called Goethe commentators. You are of course aware how vast is the literature dealing with Goethe’s version of the Faust Legend. It is a literature of such stupendous dimensions that whole libraries might be stocked with it, and naturally I cannot make it my business to expatiate on the various comments made by these interpreters of Goethe concerning this particular passage..."
Mikhael Subotzky
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Mikhael Subotzky
Retinal Shift is the catalogue for Mikhael Subotzky's 2012 Standard Bank Young Artist Exhibition, which will tour every major museum in South Africa. Retinal Shift investigates the practice and mechanics of looking - in relation to the history of Grahamstown, the history of photographic devices, and Subotzky's own history as an artist. The works draw on archival portraits from the last century, found surveillance footage, as well as Subotzky's own photographs from various series' that he re-contextualizes. The opening work in the book is a self-portrait that Subotzky made with the assistance of an optometrist. High-resolution images of his left and right retinas sit side by side. Says Subotzky: "I was fascinated by this encounter. At the moment that my retinas, parts of my essential organs of seeing, were photographed, I was blinded by the apparatus that made the images.
Africa Modern
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Magnum Atlas
Celebrating Magnum’s photographic excellence in this captivating book, readers will travel around the globe with the world’s finest photographers through 365 images. Featuring new and iconic images, this follow-up to Prestel’s highly successful A Year in Photography: Magnum Archive includes some of the most striking photography ever collected in one volume. As readers flip the pages they will find themselves traveling from west to east across the globe. Each country is represented in three or four images captured by a single photographer. While renowned figures such as Robert Capa, Bruce Davidson, and Martin Parr are included, readers will also find younger photographers such as Olivia Arthur, Alessandra Sanguinetti, and Mikhael Subotzky, all of whom present dazzling new views of our changing world. Shining a light on the human condition in every corner of the globe, this compilation exemplifies Magnum founder Henry Cartier-Bresson’s vision of "a community of thought, a shared human quality, a curiosity about what is going on in the world, a respect for what is going on and a desire to transcribe it visually."
The Italians
A compelling reportage by one of the most important photographers of Magnum Photos.
Snap Judgments
"Featuring approximately 250 works by over thirty artists from across the African continent, Snap Judgements presents a range of highly individual artistic responses to the unprecedented changes now taking place in Africa and provides new insight into the increasing role of the visual arts within the global cultural community. In addition to introducing audiences to the multiple imaginations and voices that constitute today's African artists, the book explores ways that this body of photo-based art arises from the dialectic of African aesthetic values and Western influences."--BOOK JACKET.
The Unexpected Guest
Published on the occasion of the Liverpool Biennial 2012, this book addresses the theme of the exhibition: notions of hospitality. Hospitality is the welcome we extend to strangers, an attitude and a code of conduct, as well as a metaphor that encompasses issues of the body, territory, geopolitics, ecology, trade and the hosting of data. In this era of unprecedented movement of both people and knowledge, different cultures of hospitality jostle for space as never before. Where lies the threshold between host and guest, if there is one at all, and who has the power to decide? How does our view of hospitality change when seen through the lens of time? The ethics underlying these questions are ...
Room 207
Shortlisted for the Commonwealth Writer’s Prize for Best First Book (Africa) and winner of the Herman Charles Bosman Prize for English Fiction
Public Intimacy
Public Intimacy brings together 25 artists and collectives who disrupt expected images of a country known largely through its apartheid history. The book presents a critical sensibility that existed but was mostly overlooked during apartheid, and which is now shared by many artists and writers of a new generation--the expression of the poetics and politics of the "ordinary act." Public Intimacy includes works by Ian Berry, Chimurenga, Ernest Cole, DavidGoldblatt, Handspring Puppet Company, Nicholas Hlobo, ijusi (Garth Walker), Anton Kannemeyer, William Kentridge, Donna Kukama, Terry Kurgan, Sabelo Mlangeni, Santu Mofokeng, Billy Monk, Anthea Moys, Zanele Muholi, Sello Pesa and Vaughn Sadie, Cameron Platter, Lindeka Qampi, Jo Ractliffe, Athi-Patra Ruga, Berni Searle, Penny Siopis, Mikhael Subotzky and Patrick Waterhouse and Kemang Wa Lehulere.
