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Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists cul...
This is volume 1 of the proceedings of the Byzantine Macedonia conference held in Melbourne in 1995. These nineteen papers are invaluable to anyone interested in the Macedonian heritage or in the economy, administration, history and representation of Macedonia during the course of the Byzantine empire. Vol. 2, Byzantine Macedonia: Art, Architecture, Music and Hagiography, edited by R. Scott and J. Burke, is published separately by the National Centre for Hellenic Studies and Research, La Trobe University, Melbourne.
“Wealth without work Pleasure without conscience Science without humanity Knowledge without character Politics without principle Commerce without morality Worship without sacrifice. https://vidjambov.blogspot.com/2023/01/book-inventory-vladimir-djambov-talmach.html
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Includes entries for maps and atlases.
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