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The book is the result of an idea conceived in 2006 and the writing itself begun in October 2007 and took almost two years. Sources for the project, which included official FIFA publications were numerous and varied. These together with other publications and studies published by other authors that proved to be of great use were consulted and are listed in the Bibliography. An essential guide for the 2010 World Cup and beyond, The Story Has Been Told traces the idea of a World Cup from its conception, inception and how it has evolved over the years as an event to what has become a multibillion-dollar spectacle.
The Yearbook of Transnational History is dedicated to disseminating pioneering research in the field of transnational history. This inaugural volume provides readers with articles on topics such as soccer, travel, music, and social policy. These articles highlight the movement of ideas, people, policies, and practices across various cultures and societies and explore the relations and connections, and spaces created by these movements. These articles make clear that historical phenomena from travel to music cannot be contained and explained within just one national setting. The volume offers, further, a number of theoretical and methodological articles that provide insights into the concept of transnational history and the approach of intercultural transfer studies. Last but not least, the volume also includes a number of review articles. These review articles provide an examination of books central to teaching transnational history as well as a historiographical exploration of the impact of transnational history on the field of sports history.
Published by the Ruth Chandler Williamson Gallery, Scripps College in association with Getty Publications This richly illustrated exhibition catalogue features photographs by three Mexican women, each representing a different generation, who have explored and stretched notions of Mexican identity in works that range from the documentary to the poetic. Revolution and Ritual looks first at the images of Sara Castrejón (1888–1962), the woman photographer who most thoroughly captured the Mexican Revolution. The work of photographic luminary Graciela Iturbide (born 1942) sheds light on Mexico’s indigenous cultures. Finally, the self-portraits of Tatiana Parcero (born 1967) splice images of her body with cosmological maps and Aztec codices, echoing Mexico’s layered and contested history. By bringing their work into conversation, Revolution and Ritual invites readers to consider how Mexican photography has been transformed over the past century.
Dvanáctiletá Emily žije odnepaměti na lodi. Její matka ji ale celý život úzkostlivě drží od vody co nejdál. Přesto nakonec povolí a dovolí Emily chodit ve škole na hodiny plavání. Přihodí se však něco naprosto nečekaného! Jakmile vklouzne do vody, stane se z ní mořská panna. A brzy pozná, že zdaleka není jediná. Pod mořskou hladinou se ukrývá úchvatný, tajemný svět, kde mořské panny studují ve škole mnohem zajímavější předměty – třeba vábení námořníků.
There is no sporting event more popular than the World Cup. For one month every four years, billions of people around the world turn their attention to the tournament. Fans call in sick to work, pack into bars to watch games, or stay home for days at a time glued to their TV sets. Nothing else seems to matter. In A History of the World Cup: 1930-2014, Clemente A. Lisi chronicles this international phenomenon, providing vivid accounts of individual games from the tournament's origins in 1930 to modern times. It features a glossary of terms, statistics for each competition, photos, and profiles of the most memorable—and controversial—figures of the sport, including Diego Maradona, Juste Fo...
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Adapted from the Charpentier "Te Deum in D Major" with an original school-friendly text, this is an accessible and positive way to ease your students into singing timeless choral music. An optional trumpet adds to the classic character. Majestic!
This book illuminates the relationship between philosophy and experimental choreographic practice today in the works of leading European choreographers. A discussion of key issues in contemporary performance from the viewpoint of Deleuze, Spinoza and Bergson is accompanied by intricate analyses of seven groundbreaking dance performances.
Return to the pulse-pounding world of FBI special agent Maggie O’Dell, in book two of the bestselling series by Alex Cava. They dubbed him the Collector, so named for his ritual of collecting victims before disposing of them in the most heinous ways possible. FBI profiler Maggie O’Dell tracked him for two years, finally ending their game of cate and mouse. Now Albert Stucky has escaped from prison…and he is setting up a new game for Maggie. Some say Maggie O’Dell has lost her edge. Since capturing Stucky, she has been walking a tightwire, battling nightmares and guilt over the victims she couldn’t save. Now that Stucky is loose again, she’s been pulled out of the field. But as Stucky’s trail of victims leads closer and closer to Maggie, she is put back on the case under the supervision of Special Agent R. J. Tully. Together they race against the clock to hunt the killer, and Maggie finds herself pushed to the very edge. Has her desire to stop Albert Stucky become a matter of personal vengeance? Has she crossed the line? And has that been Stucky’s goal all along—to make her into a monster? Originally published in 2001
Ten international dramaturg-scholars advance proposals that reset notions of agency in contemporary dance creation. Dramaturgy becomes driven by artistic inquiry, distributed among collaborating artists, embedded in improvisation tasks, or weaved through audience engagement, and the dramaturg becomes a facilitator of dramaturgical awareness.