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A collection of lyric poems, where we find ourselves in those silences that are chosen, those that are forced, those that must be, and those that kill.
Millicent Borges Accardi adds luster to her acclaim as a leading poet of the Portuguese-American experience with a new collection of breathtaking scope. She inhabits the new artistic frontier in exploring what heritage means to those descended from immigrants long established in the place of their dreams-"a dark mixture of all I have lost. This collection of poems is as lush and volcanic as the Azorean landscape, grounded in earthiness, rich with the yearning for the sea, and seasoned with saudade.
Injuring Eternity is a bold volume of poetry written by renowned National Endowments for the Arts poet Millicent Borges Accardi.
Where you between Betty Crocker and Gloria Steinem? With that question in mind poets Pamela Gemin and Paula Sergi began collecting the poems in Boomer Girls, an anthology of coming-of-age poems written by women born between 1945 and 1964, give or take a few years on either side. The answers to that question till this volume with the energy, passion, heartbreak, and giddiness of women's lives from childhood to adolescence to middle age. The poems in Boomer Girls are by unknown, emerging, and established writers, women who participated in the second wave of feminism. From Sandra Cisneros' "My Wicked Wicked Ways" to Barbara Crooker's "Nearing Menopause, I Run into Elvis at Shoprite, " from Wend...
Hyperboreal originates from diasporas. It attempts to make sense of change and to prepare for cultural, climate, and political turns that are sure to continue. The poems originate from the hope that our lives may be enriched by the expression of and reflection on the cultural strengths inherent to indigenous culture. It concerns King Island, the ancestral home of the author's family until the federal government's Bureau of Indian Affairs forcibly and permanently relocated its residents. The poems work towards the assembly of an identity, both collective and singular, that is capable of looking forward from the recollection and impact of an entire community's relocation to distant and arbitrary urban centers. Through language, Hyperboreal grants forum to issues of displacement, lack of access to traditional lands and resources and loss of family that King Island people—and all Inuit—are contending with.
Mr. West covers the main events in superstar Kanye West's life while also following the poet on her year spent researching, writing, and pregnant. The book explores how we are drawn to celebrities—to their portrayal in the media—and how we sometimes find great private meaning in another person's public story, even across lines of gender and race. Blake's aesthetics take her work from prose poems to lineated free verse to tightly wound lyrics to improbably successful sestinas. The poems fully engage pop culture as a strange, complicated presence that is revealing of America itself. This is a daring debut collection and a groundbreaking work. An online reader's companion will be available at http://sarahblake.site.wesleyan.edu.
In her debut collection and the first book in the Crossroads Poetry Series, Renee K. Nicholson brings you a profound lyric exploration of the everyday. Roundabout Directions to Lincoln Center unfolds like a ballet's grand adagio, moving across the physical, spiritual, and emotional places that make an American life. From the Carolina low-country boils to the sweet mountains of Appalachia to the grand heights of New York City, this collection, in parts playful and parts profound, traces the turns and chasses that a life in its freewheeling manner can cast."
Presented in both English and Portuguese, this lyric poetry collection explores the “troublesome blessing and burden of being human” (Publishers Weekly). Love. Sex. Death. Meat. Traffic. Pets. In Cattle of the Lord, Rosa Alice Branco offers a stunning poetic vision at once sacred and profane, a rich evocation of daily life troubled by uneasy sacramentality. In a collection translated by Alexis Levitin and presented in both Portuguese and English, readers find themselves in a world turned upside down: darkly comic, sensual, and rife with contradiction. Here, liturgical words become lovers’ invitations. Cows moo at the heavens. And chickens are lessons on the resurrection. Over the cours...
Fiction. A novel/"autofiction" about the complexities of being a woman, an artist, a mother, and a wife; a novel about persona and obsession and loyalty and repression; an exorcism. Told in four volumes over seven years, with emails, g-chats, and an "interview" with Lydia Davis (and a nod to Ms. Davis's "The End of the Story"), the style of PERSON/A is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?
Reporter Diana Marcum is in crisis. A long-buried personal sadness is enfolding her--and her career is stalled--when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean Islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can't be fully translated. Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva--a rain so soft you don't notice when it begins or ends. With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for--and one of them may be a most unexpected love.