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Spacewarp
DO NOT ADJUST YOUR REALITY. IT'S ALREADY BEEN WARPED! From Pat Mills, creator of 2000AD and developer of Judge Dredd, comes SPACEWARP, a British Science Fiction comic of great NEW hero comic strips for the Science Fiction world we live in today. Featuring Special Forces One at war with Giant Viruses! Jurassic Punks versus Dinosaurs! Xecutioners authorized to terminate Aliens! Slayer - one Robot in a Galactic war against a million Space Knights. Hellbreaker escapes from Hell to punish the Living. Fu-tant - a terrifying school for Mutants! ★Space Cops! ★Mutant secret agents! ★Killer robots! ★Virus armies! ★Alien invaders! All interacting in a unique Spacewarp Universe! Inventive, action-packed, heartfelt, heroic, humorous, fast-paced and fantastic value for money - as only the Brits know how. Aimed at ordinary readers of all ages. COMPLETE in Phase One, so you don't wait for the next issue to find out what happens. Ready NOW for you to upload to your BRAIN. With FREE bonus story Future Schlock: BRANDED! and EXTRAS on spacewarpcomic.com. SPACEWARP: for Today's Science Fiction Readers!
PsychoKiller
ARE YOU READY FOR YOUR DEMONIC IRRIGATION? Doctor Morbus, the PsychoKiller, can help you with your problem. Writers Pat Mills & Tony Skinner deliver a dark, gruesome and funny tale of demonic infestation, sumptuously illustrated in full colour by Dave Kendall. Includes a never seen before gallery of Dave Kendall's horror artwork.
Be Pure! Be Vigilant! Behave!
As 2000AD and Judge Dredd celebrates its 40th birthday, Pat at last writes the definitive history of the Galaxy's Greatest Comic, and the turbulent, extraordinary and exciting events that shaped it. Plus the writers and artists who created the stories you love, and the real-life people and events they drew on for inspiration.
Serial Killer
London, 1975. The Sex Pistols do their first gig at the Marquee. Death Race 2000 and Rollerball are on at the cinema. The first Macdonald's has just opened. And women are banned from wearing trousers in the office. Meet Dave Maudling, editor of The Spanker, Britain's most popular weekly comic. He's a liquorice-pipe-chewing man-child, and the world's laziest serial killer. Actually, he hasn't killed anyone...yet. He's intent on killing off his readers by inserting lethal information into his comic. But then something unexpected and wonderful happens... This is Dave's world, so he's also being blackmailed by a monster from his childhood. He has a strange desire to date fur coats. And his femme...
Goodnight, John-boy
Battle. Action. 2000AD. Misty. The British Comics Revolution! Read Em And Weep is the fictional saga of the Revolution that changed British comics forever. Based on the real-life comics and their creators, it's the story of Blitzkrieg! (Battle), Aaagh! (Action), Space Warp (2000 AD starring Judge Dredd), and Raven (Misty) told over four novels continuing with Book Two... Goodnight, John-Boy. Now Dave and Greg have created Aaagh!, the 'comic of the streets', and Joy writes about that great white shark. Every week it devours human prey - from nuclear scientists who destroyed Bikini Atoll to the President of the United States when Airforce One crashes in the Pacific. Aaagh! so enrages the estab...
Slaine King
Exiled from his tribe, Slaine is forced to roam the land of the Tir-Nan-Og with Ukko. Ahead of him lie terrifying ordeals that will require all of Slaine's famed warrior strength if he is to return victorious and claim his rightful place as King."
Kiss My Axe!
'Welcome to the Wound Feast!' Covering 40 years of Celtomania in 2000AD, this is the ultimate history of Sláine, as writer Pat Mills finally - and with great sadness - brings his saga to a close. Marvels, Myths and Mysteries Pat created Sláine with artist Angela Kincaid in 1981, although it would take two years of story and art development before it appeared in print. What began as a personal quest for Pat to make sense of his Irish roots became a magical quest for Celtic marvels, myths and mysteries. And from it, Sláine emerged: a unique hero who stands apart from all other sword and sorcery warriors. 'Would you buy a used chariot from this dwarf?' Kiss My Axe! is about the exceptionally talented artists who illustrated this internationally acclaimed epic. World-renowned artists like Simon Bisley, Glenn Fabry, Mick McMahon, and more. It's about the comedy behind Sláine and Ukko's hilarious and fantastic adventures. And the warp-outs by the writer as well as the warrior, as he battled duplicity, censorship and discrimination to save his story from senseless sabotage. Kiss My Axe! and celebrate 40 years of Sláine - you won't think it too many...
Nemesis the Warlock
"Termight, a world at the heart of a cruel galactic empire. A world devastated by nuclear warfare. Deep below ground, its inhabitants try to eke out a mere existence, continually threatened by the Terminators, lead by the diabolically evil Torquemada....There is a resistance though, and a new kind of hero. Meet Nemesis the Warlock, champion of the coming rebellion!"--P. [4] of cover.
Bella at the Bar
A MODERN DAY CINDERELLA STORY Orphan Bella Barlow is a young girl with a great natural talent for gymnastics. Unfortunately her dreams and aspirations to be a world-class gymnast are being hindered by her legal guardians - uncle Jed and aunt Gertrude, who force and bully Bella to their own advantage. Can Bella escape a life of abuse and servitude? Will she finally realise her dreams of gymnastic stardom? The epic serial begins here!
Representing Acts of Violence in Comics
This book is part of a nuanced two-volume examination of the ways in which violence in comics is presented in different texts, genres, cultures and contexts. Representing Acts of Violence in Comics raises questions about depiction and the act of showing violence, and discusses the ways in which individual moments of violence develop, and are both represented and embodied in comics and graphic novels. Contributors consider the impact of gendered and sexual violence, and examine the ways in which violent acts can be rendered palatable (for example through humour) but also how comics can represent trauma and long lasting repercussions for both perpetrators and victims. This will be a key text and essential reference for scholars and students at all levels in Comics Studies, and Cultural and Media Studies more generally.
