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The Mughals - descendants of Timur and Genghiz Khan with strong cultural ties to the Persian world - seized political power in north India in 1526 and became the most important artistically active Muslim dynasty on the subcontinent. In this richly illustrated book, Dr Milo Beach shows how, between 1555 and 1630 in particular, Mughal patronage of the arts was incessant and radically innovative for the Indian context.
One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging...
Housed in England's Royal Library, THE PADSHAHNAMA ("King of the World") manuscript documents the first ten years of the reign of Shah-Jahan, builder of the Taj Mahal, and contains exquisite painting and illuminations. The manuscript will be exhibited in 1997 in celebration of India's 50 years of independence from British rule. This reproduction accompanies the exhibition. 200 illus. 100in color.
Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. H...
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* Some of the most attractive wall-paintings found anywhere in India* Important new information about court lifeThe wall-paintings in the Rajput fort at Bundi include the earliest and finest examples of court painting known in India. Only recently available for sustained study, these wall-decorations help to define the religious, literary and artistic interests of the court; the functions of the spaces they adorn; the political aspirations of the rulers; and the evolving relationships between one court, its Rajput neighbors, and its Mughal overlords.True understanding of the wall-paintings is impossible without knowledge of the walls that support them, the ceremonials they surrounded or desc...
The Adventures of Rama are incidents derived from the Ramayana, the ancient Hindu tale that was transmitted orally for centuries, captured intomagnificent painted texts by the Mughal ateliers who translated them into Persian. These incidents have been retold here and lavishly illustrated using original paintings from a 16th-century Mughal manuscript in Persian, ordered by Emperor Akbar for the commander-in-chief of the imperial army, Abd-ar-Rahim. Only 23 illustrations from the total 130 paintings are included in this book. The enthralling stories that string the epic together capture the imagination of young readers and adults alike. To rid the world of the evil ten-headed Ravana, the Hindu...
This unprecedented volume celebrates the survival of the wall-paintings at Bundi by presenting a stunning photographic survey of these long-hidden treasures, most published for the first time, and including both abundant details and many scenes that cannot be seen by the naked eye. The royal fort at Bundi, an isolated town in the Indian state of Rajasthan, is home to elaborately decorated palaces that are among Indias most beautiful buildings. That several of the palaces have been completely closed to visitors until very recently has kept their painted walls hidden from public view, but it has also helped their preservation. The paintings depict daily life at the Bundi court from the early seventeenth to the late nineteenth centuries, as well as scenes from traditional literary and religious texts. The illustrations together reveal the rich cultural interrelationships that gave these paintings their unique power and importance.
Overview of Iranian and Persian manuscript painting, manuscript illumination, calligraphy and drawing, from the sixteenth to the nineteenth century
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