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Rumble and Crash
Analyzes six films as allegories of capitalism’s precarious state in the early twenty-first century. At the beginning of the twenty-first century, as the contradictions of capitalism became more apparent than at any other time since the 1920s, numerous films gave allegorical form to the crises of contemporary capitalism. Some films were overtly political in nature, while others refracted the vicissitudes of capital in stories that were not, on the surface, explicitly political. Rumble and Crash examines six particularly rich and thought-provoking films in this vein. These films, Milo Sweedler argues, give narrative and audiovisual form to the increasingly pervasive sense that the economic ...
Allegories of the End of Capitalism
In Allegories of the End of Capitalism, Milo Sweedler deconstructs the events of films Melancholia; Cosmopolis; Suffragette; Django Unchained; Elysium and Snowpiercer, the socio-political contexts they arise from and enter into, and their impact on contemporary culture and life. He examines how filmmakers from six different countries, across four continents, give narrative and audio-visual form to the frustration and anger that burst into public view in 2011, the ongoing class war between the super-rich and the rest of the world's population, and the insurrection that it yet to come.
Engaging Terror
Engaging Terror: A Critical and Interdisciplinary Approach is a collection of select extended papers drawn from The Human Condition Series (THCS) conference on Terror that took place in May, 2008. The international scope of the conference drew participants from twenty-three countries including Brazil, Columbia, Cuba, France, Israel, Lebanon, Lithuania, New Zealand, Nigeria, Pakistan, the Philippines, Scotland, Singapore, South Africa, Turkey, and the United Kingdom. The thirty-five essays presented here are a representative sample of the interdisciplinary discussion which sought to analyze popular concepts like 'terrorism' and 'terrorist' as social, political, and psychosocial phenomena. Eng...
The Dismembered Community
This book examines the intersecting communitarian endeavors of Georges Bataille, Maurice Blanchot, Michel Leiris, and Colette Peignot, known post-humously as Laure. Through detailed analysis of a series of interlocking texts that the four authors wrote on, for, and to one another on such topics as love, friendship, and fraternity, it explores these authors' theoretical elaborations of community, their actual communities, and the relation between the two.
The Dialectic of Truth and Fiction in Joshua Oppenheimer’s The Act of Killing
The Act of Killing is a documentary film on the Indonesian genocide that took place between October 1965 and March 1966, during which time an estimated 500,000 to 2.5 million accused communists, including landless farmers, unionized workers, labour organizers, intellectuals and ethnic Chinese Indonesians, were killed. However, much of the film is dedicated to fictional re-enactments of the 1965–66 killings. Oppenheimer’s approach is to bring into relief the contours of the extermination of communists in Indonesia by inviting former death-squad leaders and paramilitary gangsters to re-enact the killings in whatever ways they choose. They opt at times for a realist aesthetic and at other times for genres as diverse as Hollywood westerns, film noir gangster movies, and glitzy musicals. The text explores the aesthetic and political consequences springing from this modality of representation while comparing the film to other representative testimonial documentaries of genocides and extermination.
Rumble and Crash
Analyzes six films as allegories of capitalisms precarious state in the early twenty-first century. At the beginning of the twenty-first century, as the contradictions of capitalism became more apparent than at any other time since the 1920s, numerous films gave allegorical form to the crises of contemporary capitalism. Some films were overtly political in nature, while others refracted the vicissitudes of capital in stories that were not, on the surface, explicitly political. Rumble and Crash examines six particularly rich and thought-provoking films in this vein. These films, Milo Sweedler argues, give narrative and audiovisual form to the increasingly pervasive sense that the economic s...
Brute Force
Considers how dangerous beasts in horror films illuminate the human-animal relationship. It’s always been a wild world, with humans telling stories of killer animals as soon as they could tell stories at all. Movies are an especially popular vehicle for our fascination with fierce creatures. In Brute Force, Dominic Lennard takes a close look at a range of cinematic animal attackers, including killer gorillas, sharks, snakes, bears, wolves, spiders, and even a few dinosaurs. Lennard argues that animal horror is not so much a focused genre as it is an impulse, tapping into age-old fears of becoming prey. At the same time, these films expose conflicts and uncertainties in our current relation...
Revolt and Revolution: Reaching for the Possible
This volume was first published by Inter-Disciplinary Press in 2014. This volume explores the complexities involved in understanding and elucidating revolutionary activity and provides nuanced analysis of political activity. This collection provides case studies of socio-political activity from across a variety of countries.
Failing Desire
Draws on theology and queer theory to argue for the power of humiliating pleasures in a culture oriented very strongly to denying any enjoyment that is not about success. Luckily for human diversity, we are perfectly capable of desiring impossible things. Failing Desire explores a particular set of these impossibilities, those connected to humiliation. These include the failure of autonomy in submission, of inward privacy in confession, of visual modesty in exhibition, and of dignity in playing various roles. Historically, those who find pleasure in these failures range from ancient Cynics through early Christian monks to those now drawn by queer or perverse eroticism. As Judith Halberstam p...
The Great War in Hollywood Memory, 1918-1939
This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they p...
