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The bare minimum Often regarded as a backlash against abstract expressionism, Minimalism was characterized by simplified, stripped-down forms and materials used to express ideas in a direct and impersonal manner. By presenting artworks as simple objects, minimalist artists sought to communicate esthetic ideals without reference to expressive or historical themes. This critical movement, which began in the 1960s and branched out into land art, performance art, and conceptual art, is still a major influence today. This book explains the how, why, where and when of Minimal Art, and the artists who helped define it. Featured artists: Carl Andre, Stephen Antonakos, Jo Baer, Larry Bell, Ronald Bla...
This is a collection of writings by and about the work of the 1960s minimalists, illustrated with photographs of paintings, sculptures and performance.
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This volume presents a study of the main practitioners and theoreticians of the still-influential 1960s Minimal art movement and style. Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. Prominent artists associated with this movement include Donald Judd, John McLaughlin, Agnes Martin, Dan Flavin, Robert Morris, Anne Truitt, and Frank Stella. This work includes information on Minimal aesthetics; Minimal painting and painters; Minimal sculptors and sculpture; and Minimal art and land artists.
MINIMAL ART AND ARTISTS This book is concerned with Minimal art and artists, particularly painters, sculptors, 3-D, installation and land artists. All of the key practitioners and theoreticians of the still-influential 1960s Minimal art movement and style are studied here: Donald Judd, Robert Morris, Carl Andre, Frank Stella, Robert Ryman, Robert Smithson, Brice Marden, Dan Flavin, Eva Hesse, Sol LeWitt, and many land artists. Chapters on Minimal aesthetics; Minimal painting and painters; Minimal sculptors and sculpture; Minimal art and land artists; and Minimal art today. Fully illustrated. 232 pages. Large format. The text has been fully revised for this edition. www.crmoon.com. The Minima...
The effects and influence of minimalism--the art movement in which artists removed personal expression and decorative detail from their work--continue to be felt today as art produced by its proponents continues to be exhibited and artists continue to use the style. The great movements of modern art, among them Impressionism, Surrealism, Cubism, and Abstract Expressionism, have challenged rather than accommodated critics and public. None more so than Minimalism, which unrelentingly questioned not only the nature of art, but also the place of art in society-especially the capitalist society of the United States. Beginning in the 1960s, artists like Frank Stella, Donald Judd, Carl Andre, Dan F...
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Critic and art historian Meyer, a leading authority on Minimalism, examines the style from its inception to its broader cultural influence. This sourcebook features an excellent selection of nearly 300 color and b&w images to illustrate the surprising variety of the work.
Minimalism offers the first straightforward and useful summary of the output and outlook of the artists associated with minimalism in its heyday, as well as its subsequent development into more nuanced visual forms and its relationship to postmodernism. Editor James Meyer is a specialist who has written extensively on Carl Andre, Donald Judd, Dan Flavin, and Sol LeWitt, four of the seminal minimalists (the fifth is Robert Morris). Despite the intellectual thorniness of this art, Meyer avoids the turgidity that marks much of the writing associated with it. Tracing the origins of minimalism primarily to Frank Stella's "Black Paintings" of 1959, Meyer outlines the shifting, often warring defini...
Case studies / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Decommission. Lost and found : history, policy, works / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Endgame / Martha Buskirk -- Enforcing the work of art / Virginia Rutledge -- Where eoes the work reside? a conversation between Martha Buskirk and Virginia Rutledge -- Selected correspondence and PCI interviews.