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The Art of Return
More than any other decade, the sixties capture our collective cultural imagination. And while many Americans can immediately imagine the sound of Martin Luther King Jr. declaring “I have a dream!” or envision hippies placing flowers in gun barrels, the revolutionary sixties resonates around the world: China’s communist government inaugurated a new cultural era, African nations won independence from colonial rule, and students across Europe took to the streets, calling for an end to capitalism, imperialism, and the Vietnam War. In this innovative work, James Meyer turns to art criticism, theory, memoir, and fiction to examine the fascination with the long sixties and contemporary expre...
Minimalism
This beautifully illustrated book is internationally recognized as the most definitive survey of Minimalism, among the most influential movements in late twentieth-century art.
Marking Time and Place
A Catalogue of selected works from 2005 - 2013
Los Angeles to New York
This is the catalogue for an exhibition organized by the National Gallery of Art in Washington, DC, which explores the considerable contributions of Virginia Dwan and her legendary gallery to post-WWII American art.It is being carefully curated by Press author James Meyer. Founded by Virginia Dwan in 1959, the Dwan Gallery was a leading avant-garde space with locations in Los Angeles and New York, presenting the art of Franz Kline, Robert Rauschenberg, Claes Oldenburg, Sol LeWitt, and Robert Smithson, among others. Where the Los Angeles gallery featured abstract expressionism, neo-dada, and Pop, the New York branch reflected the emerging movements of minimalism, conceptualism, and land art. The activities of the Dwan Gallery transpired not just in and between Los Angeles, New York, and Paris, but also in the wilderness of the American West, where Dwan fostered a new genre of art known as earthworks (land art). A keen follower of the Parisian art scene, Dwan also gave many nouveaux realistes such as Yves Klein their debut shows in the United States."
James Montgomery Flagg
Besides his trademark I Want You poster, Flagg gained fame as America's premier poster artist. Discover the wartime legend who made art history in this colorful mini art book.
Turks Across Empires
James Meyer tells the story of the pan-Turkists, a group of Muslim activists who became involved in a wave of revolutions taking place in Russia (1905), Iran (1906) and the Ottoman Empire (1908), demonstrating how theirs is part of a larger history of trans-imperial Muslims, the Russian-Ottoman borderlands, and the late imperial age.
Space, Site, Intervention
From Ferdinand Chevel's Palais Ideal (1879-1905) and Simon Rodia's Watts Towers (1921-1954) to Ant Farm's Cadillac Ranch (1974) and Richard Serra's Tilted Arc (1981), installation art has continually crossed boundaries, encompassing sculpture, architecture, performance, and visual art. Although unique in its power to transform both the site in which a work is constructed and the viewer's experience of being in a place, installation art has not received the critical attention accorded other art forms. In Space, Site, Intervention, some of today's most prominent art critics, curators, and artists view installation art as a diverse, multifaceted, and international art form that challenges insti...
Turks Across Empires
Turks Across Empires tells the story of the pan-Turkists, Muslim activists from Russia who gained international notoriety during the Young Turk era of Ottoman history. Yusuf Akçura, Ismail Gasprinskii and Ahmet Agaoglu are today remembered as the forefathers of Turkish nationalism, but in the decade preceding the First World War they were known among bureaucrats, journalists and government officials in Russia and Europe as dangerous Muslim radicals. This volume traces the lives and undertakings of the pan-Turkists in the Russian and Ottoman empires, examining the ways in which these individuals formed a part of some of the most important developments to take place in the late imperial era. ...
