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Poet, Mystic, Widow, Wife
An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the life and times of four medieval women--Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife--who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death--and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
The Goddess; A Demon
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The Mummy's Curse
A quirky history that offers a new way of understanding the myth of the mummy's curse. Roger Luckhurst provides a startling path through the cultural history of Victorian England and its colonial possessions.
Victorian Murderesses
Victorian Murderesses investigates the politics of female violence in Thomas Hardy’s Tess of the D’Urbervilles (1891), George Eliot’s Adam Bede (1859), Mary Braddon’s Lady Audley’s Secret (1862), and Florence Marryat’s The Blood of the Vampire (1897). The controversial figure of the murderess in these four novels challenges the assumption that women are essentially nurturing and passive and that violence and aggression are exclusively male traits. By focusing on the representations of murder committed by women, this book demonstrates how legal and even medical discourses endorsed Victorian domestic ideology, as female criminals were often locked up in asylums and publicly execute...
Companion to Victorian Popular Fiction
This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.
The Haunted House in Women’s Ghost Stories
This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny. It reconsiders the gendering of the supernatural in terms of unease, denial, disorientation, confinement and claustrophobia within domestic space. Drawing on spatial theory by Gaston Bachelard, Henri Lefebvre and Elizabeth Grosz, it analyses the reoccupation and appropriation of space by ghosts, women and servants as a means of addressing the opposition between the past and modernity. The chapters consider a range of haunted spaces, including ancestral mansions, ghostly gardens, suburban villas, Italian churches and houses subject to demolition and ruin....
Beastly Journeys
A critical exploration of travel, animals and shape-changing in fin de siècle literature.
Contemporary Women’s Ghost Stories
This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about.
Femininity, Crime and Self-Defence in Victorian Literature and Society
This exploration into the development of women's self-defence from 1850 to 1914 features major writers, including H.G. Wells, Elizabeth Robins and Richard Marsh, and encompasses an unusually wide-ranging number of subjects from hatpin crimes to the development of martial arts for women.
Gothic Invasions
What do tales of stalking vampires, restless Egyptian mummies, foreign master criminals, barbarian Eastern hordes and stomping Prussian soldiers have in common? As Gothic Invasions explains, they may all be seen as instances of invasion fiction, a paranoid fin-de-siècle popular literary phenomenon that responded to prevalent societal fears of the invasion of Britain by an array of hostile foreign forces in the period before the First World War. Gothic Invasions traces the roots of invasion anxiety to concerns about the downside of Britain’s continuing imperial expansion: fears of growing inter-European rivalry and colonial wars and rebellion. It explores how these fears circulated across the British empire and were expressed in fictional narratives drawing strongly upon and reciprocally transforming the conventions and themes of gothic writing. Gothic Invasions enhances our understanding of the interchange between popular culture and politics at this crucial historical juncture, and demonstrates the instrumentality of the ever-versatile and politically-charged gothic mode in this process.
