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Poet, Mystic, Widow, Wife
'A fascinating book about four women - it tells us so much about their world, and about our own... What jumps off the page is the liveliness of the women, their passion, their courage and their own way of being...' PHILIPPA GREGORY, author of The Other Boleyn Girl and Normal Women 'Brilliantly revealing' Observer 'A celebration of female ambition and endeavour... enormous fun' The Sunday Times A spectacular, vivid, groundbreaking work of history which takes us into the minds and lives of medieval women. What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear their stories? Few women had th...
Transformative Waters in Late-medieval Literature
A consideration of the metaphor of water in religious literature, especially in relation to women.
Poet, Mystic, Widow, Wife
An invaluable reassessment of what we think we know about the daily lives of women in medieval Europe. Poet, Mystic, Widow, Wife charts the life and times of four medieval women--Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife--who all bucked convention and forged their own path. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living. Through these four writers, Hetta Howes engagingly reveals how everyday women lived, survived, and thrived in medieval times. Who did they marry and why? Were they expected to have children? Did they ever have extramarital affairs? Could they earn money and become self-sufficient? How did they make friends? Could they be leaders? What did they think about death--and what about life and their place in it? While in many ways the Middle Ages was a terrible time to be a woman, there were areas of life that were surprisingly progressive. Poet, Mystic, Widow, Wife paints a vibrant portrait of these women, their world, and the ways they speak to us today.
Singing by Herself
Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclo...
The Lonely Londoners
London will do for you for now... And I will do for London. London, 1956. Newly arrived from Trinidad, Henry 'Sir Galahad' Oliver is impatient to start his new life. Carrying just pyjamas and a toothbrush, he bursts through Moses Aloetta's door only to find Moses and his friends already deflated by city life. Will the London fog dampen Galahad's dreams? Or will these Lonely Londoners make a home in a city that sees them as a threat? In the first stage adaptation of Sam Selvon's iconic novel about the Windrush Generation, Roy Williams sweeps us back in time to shine a new light on London, friendship, and what we call home. This edition of The Lonely Londoners is published to coincide with the world premiere at London's Jermyn Street Theatre in February 2024.
Your Show
LONGLISTED FOR THE GORDON BURN PRIZE AS HEARD ON R4s FRONT ROW 'The football novel is back.' The Times Wonderful.' IRENOSEN OKOJIE 'A novel rich in both poetry and detail.' DAVID PEACE 'Memorable and moving . . . Your Show is a remarkable book' Observer ____________ The Uriah Rennie Show? Damn right it is. From Jamaica to Sheffield to the recently formed Premier League, Uri rises through the ranks as a referee, making it to the highest level of our national game. But along the way he is confronted with tensions and prejudices, old and new, which emerge as his every move is watched, analysed and commented on. Your Show is the thrilling story of one man's pioneering efforts to make it, against the odds, to the very top of his profession and beyond. 'A gripping, thought-provoking and important read.' Daily Mail ' Incredibly moving . . . Whether a fan of football or not, readers will love this novel, and its ultimate message -- one of hope. ' NICK BRADLEY 'Fantastic.' CANDICE CARTY-WILLIAMS
Medieval Saints and Modern Screens
This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship ...
Women, Writing and Religion in England and Beyond, 650–1100
Women's literary histories usually start in the later Middle Ages, but recent scholarship has shown that actually women were at the heart of the emergence of the English literary tradition. Women, Writing and Religion in England and Beyond, 650–1100 focuses on the period before the so-called 'Barking Renaissance' of women's writing in the 12th century. By examining the surviving evidence of women's authorship, as well as the evidence of women's engagement with literary culture more widely, Diane Watt argues that early women's writing was often lost, suppressed, or deliberately destroyed. In particular she considers the different forms of male 'overwriting', to which she ascribes the multip...
Emotions in a Crusading Context, 1095-1291
Emotions in a Crusading Context is the first book-length study of the emotional rhetoric of crusading. It investigates the ways in which a number of emotions and affective displays — primarily fear, anger, and weeping — were understood, represented, and utilized in twelfth- and thirteenth-century western narratives of the crusades, making use of a broad range of comparative material to gauge the distinctiveness of those texts: crusader letters, papal encyclicals, model sermons, chansons de geste, lyrics, and an array of theological and philosophical treatises. In addition to charting continuities and changes over time in the emotional landscape of crusading, this study identifies the und...
Weeping Britannia
There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Marge...
