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While biographers of Andy Warhol have long recognized his mother as a significant influence on his life and art, Julia Warhola’s story has not yet been told. As an American immigrant who was born in a small Carpatho-Rusyn village in Austria-Hungary in 1891, Julia never had the opportunity to develop her own considerable artistic talents. Instead, she worked and sacrificed so her son could follow his dreams, helping to shape Andy’s art and persona. Julia famously followed him to New York City and lived with him there for almost twenty years, where she remained engaged in his personal and artistic life. She was well known as “Andy Warhol’s mother,” even developing a distinctive signa...
Artists and the Practice of Agriculture maps out examples of artistic practices that engage with the aesthetics and politics of gathering food, growing edible and medicinal plants, and interacting with non-human collaborators. In the hands of contemporary artists, farming and foraging become forms of visual and material language that convey personal and political meanings. This book provides a critical analysis of artistic practices that model alternative food systems. It presents rich academic insights as well as 16 conversations with practicing artists. The volume addresses pressing issues, such as the interconnectedness of human and other-than-human beings, the weight of industrial agriculture, the legacy of colonialism, and the promise of place-based and embodied pedagogies. Through participatory projects, the artists discussed here reflect on the links between past histories, present challenges, and future solutions for the food sovereignty of local and networked communities. The book is an easy-to-navigate resource for readers interested in food studies, visual and material cultures, contemporary art, ecocriticism, and the environmental humanities.
An illustrated exploration of fandom that combines academic essays with artist pages and experimental texts. Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of “fandom as methodology” is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays...
This study presents a contrasting hypothesis concerning the genesis and development of Islam in Mexico than the one generally held across academic spheres and current historiography. It demonstrates that Colonial and Early Independent Mexico and Islam may have as well known about the existence of each other. However, within the chronological framework in which the Viceroyalty of Nueva España lived and developed there were social hindrance, geopolitical imperatives and theological impediments and cosmovisions – in both sides of the Atlantic – that created the quasi– perfect circumstances for the Islamic tradition and Mexico not to really meet. This book provides new angles of study on the theme, and with it, new historiographical approaches.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
"The brain was perfect, the tiny, crippled body useless. So technology rescued the brain and put it in an environment that conditioned it to live in a different kind of body - a spaceship. Here the human mind, more subtle, infinitely more complex than any computer ever devised, could be linked to the massive and delicate strengths, the total recall, and the incredible speeds of space. But the brain behind the ship was entirely feminine - a complex, loving, strong, weak, gentle savage - a personality, all-woman, called Helva..."
"The celebration of network cultures as open, decentralized, and horizontal all too easily overshadows their political dimensions. Organized Networks sets out to destroy these myths by tracking the antagonisms that lurk within Internet governance debates, the exploitation of labor in creative industries, and the aesthetics of global finance capital. Cutting across the fields of media theory, political philosophy and cultural critique, Ned Rossiter diagnoses some of the key problematics facing network cultures today."--BOOK JACKET.
"Hummingbirds and angels don’t need two good feet. They have wings." That's what Alba's mother always says. Of course, Alba doesn't have wings or two good feet: she has Cleo. Cleo is the name Alba has given to her left foot, which was born twisted in the wrong direction. When she points this out, though, her mother just smiles like the world has some surprise in store Alba doesn't know about yet. Well, Alba has her own surprise planned. After one final surgery and one final cast, Cleo is almost ready to meet the world straight on--just in time to run in the sixth grade cross-country race. Unfortunately, Alba's best friend Levi thinks there's no way she can pull it off. And she thinks there's no way he's right about the school librarian hiding a wormhole in her office. Tempers flare. Sharp words fly faster than hummingbirds. And soon it looks like both friends will be stuck proving their theories on their own.