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Playing On: Re-staging the Passion after the Death of God
In Playing On: Re-staging the Passion after the Death of God, Mirella Klomp shows how the Dutch playfully rediscover Christian heritage. Engaging theologically with a public Passion play, she demonstrates how precisely a production of Jesus' last hours carves out a new and unexpected space for God in a (post-)secular culture.
The Sound of Worship
In this book, Mirella Klomp gives an account of her research on the sound of worship among Surinamese Lutherans and Ghanaian Methodists in Amsterdam. Departing from the idea that the sonic spectrum of liturgy comprises more than 'church music' alone, she introduces 'sound' as a new and broader concept for the investigation of worship. It is a methodically transparent study that elaborates on liturgical ethnography, and thus investigates how the sound of worship takes shape in two particular churches. This first profound study on immigrant worship in the Netherlands starts with a theoretical introduction of basic notions, and continues with an empirical sounding of the field. In the final chapter, the author arranges a conversation between the cultural-anthropological outcomes of her research on the one hand, and theology on the other hand. The author thus illustrates that liturgical practices may offer important theological notions and shows how different approaches in Liturgical Studies can converge.
Debating Otherness with Richard Kearney: Perspectives from South Africa
Richard Kearney is one of the leading global thinkers in both Continental philosophy and post-metaphysical philosophy of religion, as well as an esteemed Irish professor in philosophy, currently teaching at Boston College, Massachusetts, USA. Professor Kearney first visited South Africa in May as joint visiting academic of the Universities of Stellenbosch, Pretoria and North-West. The visit prompted the publication of this scholarly collected work, authored by South African and international scholars. These specialists in philosophy and religious studies analysed Kearney’s influential work and brought his scholarly perspectives into dialogue with other leading thinkers in the field, both from Africa and abroad. This publication will be the first collective attempt to engage his work from the perspective of the African continent. This collected work contributes significantly in an interdisciplinary way to Ricoeurdian studies. The target audience of the book is peers and specialists in the field of Continental philosophy and philosophy of religion.
International Handbook of Practical Theology
Practical theology has outgrown its traditional pastoral paradigm. The articles in this handbook recognize that religion, spirituality, lived religion on this side and beyond institutional communities refer to realms of cultures, ritual practices, and symbolic orders whose boundaries are not clearly defined and whose contents are shifting. The Handbook of Practical Theology offers insightful transcultural conceptions of religion and religious affairs collected from various cultures and religions. The first section presents ‘concepts of religion’. Chapters include considerations of the conceptualizing of religion in the fields of 'anthropology', 'community', 'family', 'institution', 'law', 'media', and 'politics' among others. The second section is dedicated to case studies of ‘religious practices’ from the perspective of their actors. The third section presents the main theoretical discourses that map the globally significant diversity and multiplicity of religion. Altogether, fifty-eight authors from different parts of the world encourage a rethinking of religious practice in an expanded, transcultural, globalized, and postcolonial world.
Collaborative Practical Theology
In Collaborative Practical Theology, Henk de Roest documents and analyses research on Christian practices as it can be conducted by academic practical theologians in collaboration with practitioners of different kinds in Christian practices all around the world.
Beyond the Return of Religion: Art and the Postsecular
Drawing from a wide range of theoretical and curatorial insights, Beyond the Return of Religion: Art and the Postsecular establishes an integrated perspective on the postsecular, to shed light on the transforming place of religion in (late) modern art.
Hearing Our Prayers
How do we hear our prayers? In the words of philosopher Gemma Corradi Fiumara, there can “be no saying without hearing, no speaking which is not an integral part of listening, no speech which is not somehow received.” Therefore, hearing should be considered an essential aspect of participation in Christian worship. However, although almost all studies of Christian worship attend to the words spoken and sung, almost none consider how worshippers hear in the liturgical event. In Hearing Our Prayers, Juliette Day draws upon insights from liturgical studies, philosophy, psychology, acoustical science, and architectural studies to investigate how acts of audition occur in Christian worship. The book discusses the different listening strategies worshippers use for speech, chant, and music, as well as for silence and noise: why paying attention in church can be so difficult and how what we hear is affected by the buildings in which worship takes place. Day concludes by identifying "liturgical listening" as a particular type of ritual participation and emphasizes that liturgical listening is foundational for the way in which we pray, and think about God, the church, and the world.
Resonating Sacralities
In The Netherlands, the arts have gained a sacralized status, while religion is increasingly viewed through the lens of heritage. The dynamic resonance of sacred forms this results in, is exemplary for the postsecular. Exploring this resonance, this book offers a strong counterweight to the popular trope of the arts having replaced religion in secularized societies. Instead it approaches artistic performance, religion, and its heritage as mutually engaging sacred forms. Lieke Wijnia thoroughly connects theoretical perspectives on the sacred with ethnographic research at the annual festival Musica Sacra Maastricht. She explores the continued relevance of a broad conceptual approach to the sac...
A Space for Grace
Although the act of preaching may take on various forms, Johan Cilliers ? professor in Homiletics and Liturgy at Stellenbosch University?s Faculty of Theology ? takes a look at preaching as being an event in space and time. Aesthetical-theological concepts such as space and time are innovatively combined with the sensory experiences, like preaching as hearing and as seeing. A Space for Grace truly is an inspiring aesthetic combination of academic reflection, art works and sermons.ÿ
Singing the Congregation
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being throug...
