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Shakespeare's Use of the Arts of Language
Grammar-school students in Shakespeare's time were taught to recognise the two hundred figures of speech that Renaissance scholars had derived from Latin and Greek sources (from amphibologia through onomatopoeia to zeugma). This knowledge was one element in their thorough grounding in the liberal arts of logic, grammar, and rhetoric, known as the trivium. In Shakespeare's Use of the Arts of Language Sister Miriam Joseph writes: "The extraordinary power, vitality, and richness of Shakespeare's language are due in part to his genius, in part to the fact that the unsettled linguistic forms of his age promoted to an unusual degree the spirit of creativeness, and in part to the theory of composition then prevailing . . . The purpose of this study is to present to the modern reader the general theory of composition current in Shakespeare's England." The author then lays out those figures of speech in simple, understandable patterns and explains each one with examples from Shakespeare. Her analysis of his plays and poems illustrates that the Bard knew more about rhetoric than perhaps anyone else. Originally published in 1947, this book is a classic.
The Trivium
This book involves understanding the nature and function or language.
The Trivium in College Composition and Reading
2014 Reprint of 1948 Third Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. The "Trivium" is a systematic method of critical thinking for deriving certainty from any information coming into the mind via the five senses. In medieval universities, the Trivium comprised the three subjects that were taught first, specifically in this order: grammar, logic and rhetoric. While most textbooks are lucky to enjoy a shelf life of three or four years, "The Trivium" followed a different path. In 1947, when Columbia University Press published her celebrated dissertation, "Shakespeare's Use of the Arts of Language," Sister Miriam Joseph's previously published textbook gained wider notice. And since then, The "Trivium" continues to be rediscovered by new generations of writers and teachers. This dense, authoritative textbook takes all of Aristotle's teachings on logic, grammar, and rhetoric, and some of his teachings of poetics, adds some of the insights gained in the subsequent centuries, and presents it in a well-organized flow.
Judaism and Islam in Practice
An invaluable collection of sources of Jewish and Islamic law, this book provides unique analysis of the similarities and the differences between the two faiths.
The Generations Eight
The Eight Generations is a book of text and charts that shows the relationships that were involved in the Generation of a Lord, possibly a Lord that is recognized today.
Five Books Of Miriam
Weaving together Jewish lore, the voices of Jewish foremothers, Yiddish fable, midrash and stories of her own imagining, Ellen Frankel has created in this book a breathtakingly vivid exploration into what the Torah means to women. Here are Miriam, Esther, Dinah, Lilith and many other women of the Torah in dialogue with Jewish daughters, mothers and grandmothers, past and present. Together these voices examine and debate every aspect of a Jewish woman's life -- work, sex, marriage, her connection to God and her place in the Jewish community and in the world. The Five Books of Miriam makes an invaluable contribution to Torah study and adds rich dimension to the ongoing conversation between Jewish women and Jewish tradition.
Diary of a Lonely Girl, or The Battle against Free Love
First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.
The Maccabean
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Miriam Coffin
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