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Terrified to speak in front of her class, Molly observes her friends, and even her teacher, behaving in similar ways, and creates a show-and-tell presentation to boost everyone's confidence.
A girl who has been bullied about her appearance since second grade decides, as a sixth-grader, to stand up to Bully, once and for all. Includes Includes authors' note, an exercise, and resources for parents and teachers.
From the day Benny's family adopted him from the pound, Nacho has filled their home and their hearts with love. Come along as they explore sunny days, family, friends - both human and four-legged, unconditional love, and a bit of squirrel chasing too! Written in lyrical rhyme and told through colorful illustrations, Good Boy, Nacho! is a book that both children and adults will enjoy - over and over again. There is no doubt that Nacho will become one of the most beloved characters on your bookshelf.
The only unusual thing about Charlie is the Bright Purple Monster that lives on his shoulder. Charlie wants to speak up in class, make friends, and score his first goal. The Bright Purple Monster wants to stop him. "Don't say that, Charlie!" "They won't like you, Charlie!" "You're going to miss, Charlie!" If it was up to Charlie, he'd send the Bright Purple Monster on its way. But conquering his fears and silencing the monster on his shoulder isn't easy. There's no way Charlie can stand up to The Bright Purple Monster. At least, that's what he thinks...
This collection raises incisive questions about the links between the postcolonial carceral system, which thrived in Ireland after 1922, and larger questions of gender, sexuality, identity, class, race and religion. This kind of intersectional history is vital not only in looking back but, in looking forward, to identify the ways in which structural callousness still marks Irish society. Essays include historical analysis of the ways in which women and children were incarcerated in residential institutions, Ireland’s Direct Provision system, the policing of female bodily autonomy though legislation on prostitution and abortion, in addition to the legacies of the Magdalen laundries. This collection also considers how artistic practice and commemoration have acted as vital interventions in social attitudes and public knowledge, helping to create knowledge and re-shape social attitudes towards this history.
A boy's mystical bird ride unveils why awareness, words, and attitude matter. Readers uncover a great power within themselves, one that can bring joy to their life and others.
The first book in the Miriam Black series: “A sassy, hard-boiled thriller with a paranormal slant” (The Guardian) about a young woman who can see the darkest corners of the future. Miriam Black knows how you’re going to die. This makes her daily life a living hell, especially when you can’t do anything about it, or stop trying to. She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides. She merely needs to touch you—skin to skin contact—and she knows how and when your final moments will occur. Miriam has given up trying to save people; that only makes their deaths happen. But when she hitches a ride with Louis Darling and shakes his hand, she sees in thirty days that Louis will be murdered while he calls her name— Louis will die because he met her, and Miriam will be the next victim. No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try. “Think Six Feet Under co-written by Stephen King and Chuck Palahniuk” (SFX), and you have Blackbirds: a visceral, exciting novel about life on the edge.
When Reichl took over from the formidable and aloof Bryan Miller as the New York Times' restaurant reviewer, she promised to shake things up. And so she did. Gone were the days when only posh restaurants with European chefs were reviewed. Reichl, with a highly developed knowledge and love of Asian cuisine from her years as a West Coast food critic, began to review the small simple establishments that abound in Manhattan, Brooklyn and Queens. Many loved it, the Establishment hated it, but her influence was significant. She brought a fresh writing style to her reviews and adopted a radical way of getting them. Amassing a wardrobe of wigs and costumes, she deliberately disguised herself so that she would not receive special treatment. As a result, she had a totally different dining experience as say, Miriam the Jewish mother than she did as Ruth Reichl the reviewer, and she wasn't afraid to write about it. The resulting reviews were hilarious and sobering, full of fascinating insights and delicious gossip. Garlic and Sapphires is a wildly entertaining chronicle of Reichl's New York Times years.
The six families of the Clan rule the kingdom of Gruinmarkt from behind the scenes, a mixture of nobility and criminal conspirators whose power to walk between their world and ours makes them rich in both. Braids of family loyalty and intermarriage provide a fragile guarantee of peace, but a recently ended civil war has left the families shaken and suspicious. Miriam, a hip tech journalist from Boston, discovered her alternate-world relatives with explosive results that shook the worlds. Now, as the prodigal Countess Helge Thorold-Hjorth, she finds herself ensnared in schemes and plots centuries in the making. She is surrounded by unlikely allies, lethal contraband, and, most dangerous of all, her family. With her modern American attitudes, she's not sure she can fit in, or if she even wants to, but to stay alive, she really has no choice . . . Praise for The Family Trade: 'Quirky, original and entertaining. . . could be The Godfather of all fantasy novels' Kevin J. Anderson 'Light, loaded with tongue-in-cheek humour and deftly plotted' Guardian