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DAIM
Writing since 1989, DAIM is a tireless, multidiscipline graffiti artist whose pieces jump off walls, explode onto canvases, explore natural environments and come to life as sculptures. Creativity and determination allowed DAIM to connect with other artists early in his career, and as a member of international artist collectives such as FX, FBI, SUK and GBF he has become one of the most famous and sought-after graffiti artists in the world, even having earned a place in the Guinness Book of World Records. This book offers a comprehensive overview of his career while focusing on the years 2000-2004. Selected works are documented step-by-step, compared with preliminary sketches and supplemented with background information.
Urban Discipline 2002
Exhibition catalogue. The elaborate hardcover catalogue to accompany the third Urban Discipline exhibition in 2002 contains 144 color pages. It features detailed portraits of all 34 artists, among them Os, Gemeos, Banksy, Toast or Zedz, including with extensive image material and personal texts written by the participants. The Urban Discipline 2002 catalogue has become a rare collector’s item for graffiti fans and art lovers all over the world. Participating Artists: Os Gemeos, Vitche, Herbert, Nina (Sao Paulo / Brazil), Puzle (Melbourne / Australia), Mear (Los Angeles / USA), Joker (Portland / USA), Banksy (London / UK), Zedz (Amsterdam / Netherlands), CMP (Kopenhagen / Denmark), Stak, HNT, Andrè, Alexone (Paris / France), Nami/La Mano (Barcelona / Spain), Dare (Basel / Switzerland), Toast (Bern / Switzerland), Loomit, Sat One (Munich), ECB (Landau), Viagrafik (Mainz)Seak (Cologne), Peter Michalski (Dortmund), Stuka (Braunschweig), Esher (Berlin), Tasek, Daim, Daddy Cool, Stohead (Hamburg)
Cross the Streets
An iconic collection of street art and street photography as exhibited in Rome, the Eternal City.
Daim
DAIM - daring to push the boundaries offers a comprehensive overview, focused on the years between 2000 and 2004. Selected works are documented step-by-step, and compared to the sketches they are based upon, and supplemented with background information.
One Show Interactive, Volume XI
Interactive advertising and new media have come a long way from simple pop-up ads and banners. Among the winners in this year’s 2008 One Show Interactive Awards, you’ll find work that inspires, entertains, and continually pushes the boundary between the real and virtual realms. One Show Interactive, Volume XI showcases the best of this past year’s winners from around the world. Featuring an all-new format, this latest edition includes more in-depth analyses of the Pencil-winning work, more descriptions, and a new look. With more than 1,200 four-color images in a lush package, One Show Interactive, Volume XI is an important reference source for creatives, producers, and students alike. Categories covered include e-commerce, corporate image, direct marketing, self-promotion, and more.
Fresh Air Smells Funny
An outstanding collection which explores the common urban space between street art and graffiti and the highly individualised ways in which both have developed in recent years. The diverse artworks include a vast array of influences: sculpture, painting and drawing as well as everyday objects and stencils. The works draw attention to social conditions, and re-hash the experience of public space - sometimes with humour, sometimes with confrontational politics.
Politisches Graffiti
Der vorliegende Band versammelt Beiträge zu politischem Graffiti aus kunst-, kultur- und sprachwissenschaftlicher Perspektive. Dabei geht es nicht nur um Graffiti mit politischen Themen und politischer Wirkungsabsicht, sondern auch um sozio-politische Aspekte von vordergründig unpolitisch erscheinenden Spielarten des Graffiti. Einem weiten Graffiti-Begriff folgend, der auch die Grenzbereiche zur Street Art einschließt, werden Beispiele vom 20. Jahrhundert bis in die Gegenwart interdisziplinär in den Blick genommen und diskutiert. The present volume assembles contributions on political graffiti from an artistic, cultural and linguistic perspective. The volume not only deals with graffiti on political issues and political goals but also with social-political aspects of apparently unpolitical types of graffiti. Following a broader concept of graffiti which also includes the borderlines of street art, samples from the 20th century to modern days are being highlighted and discussed.
Sapeurs
British photographer Tariq Zaidi presents a fashion subculture of Kinshasa & Brazzaville: La Sape, Societe des Ambianceurs et des Personnes Elegantes. Its followers are known as 'Sapeurs' ('Sapeuses' for women). Most have ordinary day jobs as taxi-drivers, tailors and gardeners, but as soon as they clock off they transform themselves into debonair dandies. Sashaying through the streets they are treated like rock stars - turning heads, bringing 'joie de vivre' to their communities and defying their circumstances.
