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According to the great diarist, John Evelyn, Charles II was ‘addicted to women’, and throughout his long reign a great many succumbed to his charms. Clever, urbane and handsome, Charles presided over a hedonistic court, in which licence and licentiousness prevailed. Mistresses is the story of the women who shared Charles’s bed, each of whom wielded influence on both the politics and cultural life of the country. From the young king-in-exile’s first mistress and mother to his first child, Lucy Walter, to the promiscuous and ill-tempered courtier, Barbara Villiers. From Frances Teresa Stuart, ‘the prettiest girl in the world’ to history’s most famous orange-seller, ‘pretty, wit...
This new collection of sixteen essays considers evidence for the varied forms of women's alliances in early modern England. It shows how women, prohibited from direct participation in the institutional structures that shaped the lives of men, constructed informal connections with other females for purposes of survival, advancement, and creativity. The essays presented here consider a variety of communities--formed among groups as diverse as serving women, vagrants, aristocrats, and authors--in order to study the historical traces of women's connections. "Alliance"--as understood by the essayists in this volume--does not preclude competition or antagonism, since the bonds among women were fre...
The Mancini Sisters, Marie and Hortense, were born in Rome, brought to the court of Louis XIV of France, and strategically married off by their uncle, Cardinal Mazarin, to secure his political power base. Such was the life of many young women of the age: they had no independent status under the law and were entirely a part of their husband's property once married. Marie and Hortense, however, had other ambitions in mind altogether. Miserable in their marriages and determined to live independently, they abandoned their husbands in secret and began lives of extraordinary daring on the run and in the public eye. The beguiling sisters quickly won the affections of noblemen and kings alike. Their...
Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
The daughters of a ruthlessly ambitious family, Mary and Anne Boleyn are sent to the court of Henry VIII to attract the attention of the king. He first takes Mary as his mistress, in which role she bears him an illegitimate son, and then Anne as his wife.
Tells the history of the French Renaissance through the lives of its most prominent queens and mistresses.
He took one last long look at her before walking away and disappearing into the night. At that moment, Mandy knew her life would change forever . . . Mandy Sanderson is turning thirty and has everything going for her – dark ebony hair, flashing black eyes, flawless skin and a job she loves – yet, so far, true love has eluded her. Then, on the night of her birthday party, surrounded by friends she adores, Cupid strikes as Mandy and the gorgeous Jake Chaplin lock eyes across the restaurant and fall for one another in an instant. Jake is confident, successful, oozing with sex appeal and utterly irresistible. He is also married, with two children, and Mandy has always sworn not to break her own golden rule: never encourage a man to play away. Jake is used to getting what he wants, and this time it is Mandy he’s determined to win, and with Jake, seduction comes in more ways than one . . . Warm, sexy and heart-wrenchingly moving,The Mistress by Martine McCutcheon is written by one of Britain’s best-loved actresses and offers a refreshingly modern take on what it is that women want.