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Les Misérables
From its informative chronology of Hugo's life and work and its excellent historical overview of Napoleonic and post-Napoleonic France, through its closing meditation on Hugo's vision of utopian society, Katherine M. Grossman's Les Miserables: Conversion, Revolution, Redemption is a model examination of a literary masterwork. At the heart of Grossman's close readings of several key sections of the novel is an interpretation of its protagonist, Jean Valjean, an Everyman embodying the hopes of oppressed people everywhere.
Les Misérables
Introducing one of the most famous characters in literature, Jean Valjean-the noble peasant imprisoned for stealing a loaf of bread-Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose.Within his dramatic story are themes that capture the intellect and the emotions: crime and punishment, the relentless persecution of Valjean by Inspector Javert, the desperation of the prostitute Fantine, the amorality of the rogue Thénardier, and the universal desire to escape the prisons of our own minds. Les Misérables gave Victor Hugo a canvas upon which he portrayed his criticism of the French political and judicial systems, but the portrait that resulted is larger than life, epic in scope-an extravagant spectacle that dazzles the senses even as it touches the heart.
Les Misérables and Its Afterlives
Exploring the enduring popularity of Victor Hugo’s Les Misérables, this collection offers analysis of both the novel itself and its adaptations. In spite of a mixed response from critics, Les Misérables instantly became a global bestseller. Since its successful publication over 150 years ago, it has traveled across different countries, cultures, and media, giving rise to more than 60 international film and television variations, numerous radio dramatizations, animated versions, comics, and stage plays. Most famously, it has inspired the world's longest running musical, which itself has generated a wealth of fan-made and online content. Whatever its form, Hugo’s tale of social injustice...
The Sense of an Ending
A monumental novel capturing how one man comes to terms with the mutable past. 'A masterpiece... I would urge you to read - and re-read ' Daily Telegraph **Winner of the Man Booker Prize for Fiction** Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He's had a career and a single marriage, a calm divorce. He's certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer's letter is about to prove.
Les Misérables
"In Les Misérables: From Stage to Screen find out how the musical came to life - the trials and tribulations of turning it from the initial concept into a thrilling musical extravaganza - and how the new film version starring Hugh Jackman and Russell Crowe has emerged from the show that has been seen by over 55 million people worldwide. To bring this fascinating story to life, the book also contains at least 15 facsimiles that highlight key moments in the creation of Les Misérables, both on stage and on the screen."--Publisher description.
Storytelling in Motion
How do filmmakers guide viewers through the frame using the movement of bodies on screen? What do they seek to communicate with their cinematic choreography, and how were those choices shaped by industrial conditions? This book is about the powerful relationship between human movement and cinema. It demonstrates how filmmakers have used moving bodies and dance as key storytelling elements and how media industries' changing investment in this aspect of film style impacts filmmakers' choices in portraying movement on screen.
Les Misérables
(Applause Books). It has been 150 years since Victor Hugo's novel Les Miserables was first published. However, for the last 25 or so, the poignant saga of Jean Valjean, a villain to some but a savior to others, set in France during the early years of the 19th century, has become one of the world's most popular musicals and has become one of the must-see movies of 2013. In Les Miserables: From Stage to Screen , the reader can find out how the musical came to life the trials and tribulations of turning it from the initial concept into a thrilling musical extravaganza and how the new film version starring Hugh Jackman and Russell Crowe and directed by the Oscar-winning Tom Hooper ( The King's Speech ) has emerged from the show that has been seen by over 60 million people worldwide. To bring this fascinating story to life, the book also contains at least 20 facsimiles that highlight key moments in the creation of Les Miserables , both on stage and on the screen, including: * Original costume sketches * Annotated scripts * Original music scores and librettos * Film screenplay extracts and anniversary mementos
Reel History
'Reel History is a hoot! Alex von Tunzelmann writes with a blend of playful wit and delicious snark' Greg Jenner From ancient Egypt to the Tudors to the Nazis, the film industry has often defined how we think of the past. But how much of what you see on the screen is true? And does it really matter if filmmakers just make it all up? Picking her way through Hollywood's version of events, acclaimed historian Alex von Tunzelmann sorts the fact from the fiction. Along the way, we meet all our favourite historical characters, on screen and in real life: from Cleopatra to Elizabeth I, from Spartacus to Abraham Lincoln, and from Attila the Hun to Nelson Mandela. Based on the long-running column in the Guardian, Reel History takes a comic look at the history of the world as told through the movies - the good, the bad, and the very, very ugly.
