You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media. Despite the increasing global digitisation, graffiti remains widespread and popular, providing with a few words or images a vivid visual indication of cultural conditions, social dynamics and power structures in a society, and provoking a variety of reactions. Using qualitative and quantitative methods, as well as detailed interdisciplinary analyses of "patriotic," extreme-right, soccer-fan, nostalgic, and chauvinist graffiti and street art, it looks at why and by whom graffiti is used as political media and to/against whom it is directed. The book theorises discussions of political graffiti and street art to show different methodological approaches from four perspectives: context, author, the work itself, and audience. It will be of interest to the growing body of literature focussing on (sub)cultural studies in the contemporary Balkans, transitology, visual cultural studies, art theory, anthropology, sociology, and studies of radical politics.
Velikonja sees the former Ottoman borderland as a distinct cultural and religious entity where three major faiths—Islam, Catholicism, and Orthodoxy—managed to coexist in relative peace. It is only during the past century that competing nationalisms have led to persecution, ethnic cleansing, and mass murder. Here, he presents a comprehensive survey that examines how religion has interacted with other aspects of BosniaHerzegovina's history.
"This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media"--
This interdisciplinary examination of present-day identities and histories of the former Yugoslavia explores relationships with the social, political, cultural and historical 'facts and fictions' that have marked the different parts of the region. It shows that while nationalism remains important other social dynamics also exert a strong influence.
Drawing on visual materials (film, art, graffiti, street-art, public advertisement, memorials), the essays of this collection offer detailed views on the cultural and political dynamics that preceded and emerged in the wake of the Yugoslav conflicts of the 1990s.
The book brings together many of the best known commentators and scholars who write about former Yugoslavia. The essays focus on the post-Yugoslav cultural transition and try to answer questions about what has been gained and what has been lost since the dissolution of the common country. Most of the contributions can be seen as current attempts to make sense of the past and help cultures in transition, as well as to report on them. The volume is a mixture of personal essays and scholarly articles and that combination of genres makes the book both moving and informative. Its importance is unique. While many studies dwell on the causes of the demise of Yugoslavia, this collection touches upon these causes but goes beyond them to identify Yugoslavia's legacy in a comprehensive way. It brings topics and writers, usually treated separately, into fruitful dialog with one another.
Based on extensive archival research and fieldwork and the culmination of more than two decades of study, The Three Yugoslavias is a major contribution to an understanding of Yugoslavia and its successor states.
None
Have you ever heard of the cream effect or witnessed the power of cultural backdraft? Have you watched the slow process of fossilization or used the tactics of cultural stealth? You might be waiting for just the right word to describe what you have seen and done. This collection revitalizes the study of the cultural processes of stability and change. The 25 essays invent new processes for a rapidly changing world. They illustrate how different perspectives enrich cultural analysis and add a bit of playfulness and experimentation to a longstanding academic issue. The authorsfrom anthropology, European ethnology, sociology, and cultural studiesare peeking into blind spots and looking under the furniture in order to understand why and how some kinds of social life become visible, while so many others remain unseen. This book will inspire researchers and students to develop new approaches in cultural analysis. This is a reprint of the journal Ethnologia Europaea - Journal of European Eth