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Kurosawa
This work will become not only the newly definitive study of Kurosawa, but will redefine the field of Japanese cinema studies, particularly as the field exists in the west.
Television, Japan, and Globalization
Shines new theoretical light on Japanese television in global perspective
Planetary Atmospheres and Urban Society After Fukushima
This collection examines the event of Fukushima in Japan in terms of urban sociology and cultural politics to portray the triple catastrophe of March 2011 as both a planetary event and a dual economic and environmental crisis which indelibly marked Japan and the wider global community. The contributors examine how this new situation has been expressed in particular cultural forms (literature, film), political discourses and urban everyday life in Tokyo and Fukushima, arguing for an imperative need to redefine the national frame of analysis in terms of the concept of the planetary. Building on recent debates in ecocriticism, Planetary Atmospheres and Urban Life After Fukushima deconstructs the spatial logic of containment that reduces the event of Fukushima to a place-bound object to instead reinscribe this event within an open narrative of the planetary. This we believe will allow us to redefine our topologies of attachment to local places beside national discourses of unity, resilience and global strategies of risk management, and open the way to a radical rethink of Japan’s cultural politics of Japan after March 2011.
Melodrama and Asian Cinema
This unique study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia.
Japan in the World
Since the end of World War II, Japan has determinately remained outside the current of world events and uninvolved in the processes determining global history and politics. In Japan and the World, distinguished scholars, novelists, and intellectuals articulate how Japan—despite unprecedented economic prowess in securing dominance in the world's market—is caught in a complex dependency with the United States. Drawing on critical and postmodernist theory, this timely volume situates this dependency in a broader historical context and assesses Japan's current dealings in international politics, society, and culture. Among the many topics covered are: racism in U.S.-Japanese relations; produ...
Asian Cinemas
The West’s current fascination with Asian cinema must be viewed in the context of a complex and often problematic relationship between Western scholars, students, viewers, and Asian films. This book examines a number of detailed case studies (such as the films of Ozu, Bruce Lee, Hong Kong and Turkish cinema, Hindi melodramas, Godzilla films, Taiwanese directors, and Fifth Generation Chinese cinema) and uses them to investigate the limitations of Anglo–U.S. theoretical models and critical paradigms. By engaging readers with familiar areas of critical discourse (such as postcolonial criticism, "national cinema," "genre," "authorship," and "stardom") the book aims to introduce within such contexts the "unfamiliar" case studies that will be explored in depth and detail.
Television, Japan, and Globalization
Shines new theoretical light on Japanese television in global perspective
Learning Places
Under globalization, the project of area studies and its relationship to the fields of cultural, ethnic, and gender studies has grown more complex and more in need of the rigorous reexamination that this volume and its distinguished contributors undertake. In the aftermath of World War II, area studies were created in large part to supply information on potential enemies of the United States. The essays in Learning Places argue, however, that the post–Cold War era has seen these programs largely degenerate into little more than public relations firms for the areas they research. A tremendous amount of money flows—particularly within the sphere of East Asian studies, the contributors clai...
Japan After Japan
Scholars of history, anthropology, literature, and film explore the transformations in Japanese politics, culture, and society since Japans recession of the early 1990s.
Rashomon Effects
Akira Kurosawa is widely known as the director who opened up Japanese film to Western audiences, and following his death in 1998, a process of reflection has begun about his life’s work as a whole and its legacy to cinema. Kurosawa’s 1950 film Rashomon has become one of the best-known Japanese films ever made, and continues to be discussed and imitated more than 60 years after its first screening. This book examines the cultural and aesthetic impacts of Akira Kurosawa’s Rashomon, as well as the director’s larger legacies to cinema, its global audiences and beyond. It demonstrates that these legacies are manifold: not only cinematic and artistic, but also cultural and cognitive. The b...
