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Proceedings of the 4th Annual International Conference on Language, Literature and Media (AICOLLIM 2022)
This is an open access book. AICoLLiM is the annual conference on the area of language, literature and media. It provides a forum for presenting and discussing the expanding paradigm, latest innovations, results and developments in language, literature and media. The conference provides a forum for lecturers, students, researchers, practitioners and media professionals engaged in research and development to share ideas, interact with others, present their latest works, and strengthen the collaboration among academics, researcher and professionals.
TV dan Film
Buku "TV dan Film" menawarkan sebuah panduan komprehensif tentang bagaimana televisi dan film telah berkembang sebagai media hiburan sekaligus cermin sosial sepanjang abad ke-20 dan ke-21. Dengan memeriksa sejarah, teknologi, dan tren yang mempengaruhi kedua medium ini, buku ini menyajikan analisis mendalam mengenai cara mereka membentuk dan dipengaruhi oleh masyarakat. Pembaca akan menemukan wawasan tentang evolusi estetika visual, narasi, dan teknik produksi, serta dampak signifikan dari televisi dan film terhadap budaya populer dan perubahan sosial. Dalam setiap bab, buku ini tidak hanya mengupas aspek teknis dan sejarah, tetapi juga meneliti bagaimana TV dan film berperan dalam menyebarluaskan ideologi, mempengaruhi pandangan publik, dan mencerminkan pergeseran sosial. Dengan pendekatan yang holistik, "TV dan Film" mengajak pembaca untuk memahami kedalaman dan kompleksitas dari dua bentuk hiburan yang telah menjadi bagian integral dari kehidupan sehari-hari. Buku ini adalah sumber yang berharga bagi siapa saja yang ingin mengeksplorasi hubungan dinamis antara media, budaya, dan masyarakat.
Cutting Rhythms
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.
Grammar of the Edit
If you want to get to grips with editing, this book sets down, in a simple, uncomplicated way, the fundamental knowledge you will need to make a good edit between two shots. Regardless of what you are editing, the problem of learning how to be a good editor remains the same. This book concentrates on where and how an edit is made and teaches you how to answer the simple question: 'What do I need to do in order to make a good edit between two shots?' Simple, elegant, and easy to use, Grammar of the Edit is a staple of the filmmaker's library.
Picture Composition
Behind each shot there lies an idea or purpose. When setting up a shot, the camera operator can employ a range of visual techniques that will clearly communicate the idea to an audience. Composition is the bedrock of the operator's craft, yet is seldom taught in training courses in the belief that it is an intuitive, personal skill. Peter Ward shows how composition can be learned, to enhance the quality of your work. Based on the author's own practical experience, the book deals with the methods available for resolving practical production questions such as: Does the shot composition accurately reflect the idea that initiated the shot? Will the content and method of presenting the subject ac...
The Art of Watching Films
Accompanying CD-ROM provides short film clips that reinforce the key concepts and topics in each chapter.
Introduction to Film Studies
Introduction to Film Studies is a comprehensive textbook for students of cinema. This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with 150 film stills and production shots, in full colour throughout. Reviewed widely by teachers in the field and with a f...
Film Theory
What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.
