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Endless Fall
In this poignant account of a classmate’s suicide, the acclaimed Moroccan author gives both a biting critique of small-town bigotry in the 1960s and a moving tribute to the fleeting beauty of adolescence. In Settat in the 1960s, when it was still a tiny village, a young man leapt to his death in front of his stunned class and their teacher, left holding a brief, devastating suicide note. Among the students was Mohamed Leftah. Haunted by the uncommon grace of that desperate act, and the tragic image of his body lying in the courtyard, Leftah penned this chronicle of life at the time, marked by repressed desire and shame. A fiery yet thoughtful meditation on taboo acts—homosexuality, adultery, suicide—and the hypocrisy and cruelty often found in those who judge them, Endless Fall also offers a fascinating window into the mind of the seminal writer.
Captain Ni'mat's Last Battle
First published after the author’s death in 2008, this provocative novel charts the late-in-life sexual awakening of a retired air force pilot who begins a dangerous affair with a male servant. Captain Ni’mat, a reservist from the Egyptian army defeated by the Israelis in 1967, finds himself aging and idle, spending his days at a luxurious private club in Cairo with former comrades. One night, Captain Ni’mat has an exquisite, chilling dream: he sees pure beauty in the form of his Nubian valet. Awakened by these searing images, he slips into the hut where the young man sleeps. The vision of his naked body so deeply disturbs Captain Ni’mat that his monotonous existence is suddenly turned upside down. Unbeknownst to his wife, he comes to know physical love with his valet. In a country where religious fundamentalism grows increasingly prevalent every day, this forbidden passion will lead him to the height of happiness, at least for a time.
The Oxford Handbook of Arab Novelistic Traditions
The Oxford Handbook of Arab Novelistic Traditions encompasses the genesis of the Arabic novel in the second half of the nineteenth century and its development to the present in every Arab country, as well as Arab immigrant writing in many languages around the world.
Captain Ni'mat's Last Battle
First published after the author’s death in 2008, this provocative novel charts the late-in-life sexual awakening of a retired air force pilot who begins a dangerous affair with a male servant. Captain Ni’mat, a reservist from the Egyptian army defeated by the Israelis in 1967, finds himself aging and idle, spending his days at a luxurious private club in Cairo with former comrades. One night, Captain Ni’mat has an exquisite, chilling dream: he sees pure beauty in the form of his Nubian valet. Awakened by these searing images, he slips into the hut where the young man sleeps. The vision of his naked body so deeply disturbs Captain Ni’mat that his monotonous existence is suddenly turned upside down. Unbeknownst to his wife, he comes to know physical love with his valet. In a country where religious fundamentalism grows increasingly prevalent every day, this forbidden passion will lead him to the height of happiness, at least for a time.
Demoiselles of Numidia
The acclaimed Moroccan author’s debut novel, this stunning portrait of the world of sex work describes its sordid reality with beautiful, poetic prose. Available now for the first time in English, Demoiselles of Numidia offers an intimate glimpse into the lives of young women working in a Casablanca brothel—their relationships with each other and with their pimps, their dramas, and the rare moments of happiness that bloom in this violent underbelly. Originally published in French in 1992, the novel quickly established Mohamed Leftah as one of Morocco’s great writers. It showcases the extraordinary combination of elegant language and graphic physicality, as well as the nuanced questioning of traditional gender roles, which would come to characterize his works.
Francophone Literature as World Literature
Francophone Literature as World Literature examines French-language works from a range of global traditions and shows how these literary practices draw individuals, communities, and their cultures and idioms into a planetary web of tension and cross-fertilization. The Francophone corpus under scrutiny here comes about in the evolving, markedly relational context provided by these processes and their developments during and after the French empire. The 15 chapters of this collection delve into key aspects, moments, and sites of the literature flourishing throughout the francosphere after World War II and especially since the 1980s, from the French Hexagon to the Caribbean and India, and from Québec to the Maghreb and Romania. Understood and practiced as World Literature, Francophone literature claims--with particular force in the wake of the littérature-monde debate--its place in a more democratic world republic of letters, where writers, critics, publishers, and audiences are no longer beholden to traditional centers of cultural authority.
Routledge Handbook of Minorities in the Middle East
The Routledge Handbook of Minorities in the Middle East gathers a diverse team of international scholars, each of whom provides unique expertise into the status and prospects of minority populations in the region. The dramatic events of the past decade, from the Arab Spring protests to the rise of the Islamic state, have brought the status of these populations onto centre stage. The overturn of various long-term autocratic governments in states such as Tunisia, Egypt, Libya, and Yemen, and the ongoing threat to government stability in Syria, Iraq, and Lebanon have all contributed to a new assertion of majoritarian politics amid demands for democratization and regime change. In the midst of t...
Femininity, Masculinity, and Sexuality in Morocco and Hollywood
This book is the first to formulate an ideology of emancipation for women in Morocco. Beginning with constructs of the body, femininity and masculinity, it analyzes the central role played by the sociopolitical writing of sexuality in creating gender hierarchy. The author focuses on Morocco, while drawing parallels with Hollywood cinema, one of the great producers of femininity and masculinity, and conducts an exhaustive examination of constructs of femininity and masculinity in language, social practices, cultural productions and legal texts. The objectives of this project are tripartite: it exposes the dynamics that devalue women’s humanity; it charts the schemas of their sexual, economic and sociopolitical exploitation; and it advances concrete solutions for re-establishing women’s human dignity.
