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Colonialism advanced its project of territorial expansion by changing the very meaning of borders and space. The colonial project scripted a unipolar spatial discourse that saw the colonies as an extension of European borders. In his monograph, Mohit Chandna engages with narrations of spatial conflicts in French and Francophone literature and film from the nineteenth to the early twenty-first century. In literary works by Jules Verne, Ananda Devi, and Patrick Chamoiseau, and film by Michael Haneke, Chandna analyzes the depiction of ever-changing borders and spatial grammar within the colonial project. In so doing, he also examines the ongoing resistance to the spatial legacies of colonial practices that act as omnipresent enforcers of colonial borders. Literature and film become sites that register colonial spatial paradigms and advance competing narratives that fracture the dominance of these borders. Through its analyses Spatial Boundaries, Abounding Spaces shows that colonialism is not a finished project relegated to our past. Colonialism is present in the here and now, and exercises its power through the borders that define us.
Struggle. Revolution. Change. Are these words simply meant for chanting or do they emerge as real agents of social justice in a country where the divides stand taller than multistoried shopping malls and sky-licking urban ghettoes? Footprints in the Bajra is a novel about the dark realities that even today hound India, a thriving modern democracy in the eye of the world; about a young Maoist recruit named Muskaan from Bihar who meets Nora, a student-activist from New Delhi. The story of Muskaan's transition in belief and action unfolds in this work that delights readers and travels with ease across idioms and identities to engage with the personal interaction of the author with popular cultures, histories and myths.
Cinema and Surveillance: The Asymmetric Gaze shows how key modern filmmakers challenge and disturb the relation between film and surveillance, medium and message. Assembling readings of films by Harun Farocki, Michael Haneke, and Fritz Lang, the book considers surveillance in such different domains as urban life, religious doctrine, and law enforcement. With surveillance present in the modern world as both a technological phenomenon and a social practice, the author shows how cinema, as a visual medium, presents highly sophisticated analyses of surveillance. He suggests that “surveillance” is less an issue to be tackled from a secure spectatorial position than an experience to be rendered, an event to be dealt with. Far from offering a general model of spectatorship, the book explores how narrative moments of surveillance are complicated by specific spectatorial responses. In its intersection of well-known figures and a highly topical issue, this book will have broad appeal, especially, but not exclusively, among students and scholars in film studies, media studies, German studies, European studies, art history, and political theory.
This book analyses how the idea – or the problem - of belonging is articulated in a range of contemporary francophone Mauritian novels. Waters explores how forms of affective belonging intersect with the exclusionary ‘politics of belonging’ in novels by Nathacha Appanah, Ananda Devi, Shenaz Patel, Bertrand de Robillard, Amal Sewtohul and Carl de Souza.
This book is a collection of high-quality peer-reviewed research papers presented in the Third International Conference on Computing Informatics and Networks (ICCIN 2020) organized by the Department of Computer Science and Engineering (CSE), Bhagwan Parshuram Institute of Technology (BPIT), Delhi, India, during 29–30 July 2020. The book discusses a wide variety of industrial, engineering and scientific applications of the emerging techniques. Researchers from academic and industry present their original work and exchange ideas, information, techniques and applications in the field of artificial intelligence, expert systems, software engineering, networking, machine learning, natural language processing and high-performance computing.
'For a few moments they sat there in silence fraught with the unexpressed. Their bodies were taut and alert, listening for the slightest message from the other, the minutest shift in energy from the other. Deprived of the will to move they sat next to each other in unquiet silence. The unspoken swirled around them in dizzy circles.' Set in Paris, Budapest and Hyderabad, this is a story about Sadhavi, a married woman, who finds herself intensely attracted to Kanav, a scholar and teacher, whom she meets in Paris. An intelligent woman with a traditional upbringing, a modern liberal education, married into an orthodox Brahmin family, Sadhavi had not actively thought about or pursued that which would fulfill her as an individual- till she comes to Paris and, away from her familiar surroundings, finds herself somewhat alone, emotionally vulnerable and intangibly connected to Kanav. Sadhavi's yearning for an elusive fulfillment-and her struggle to let go of it-forms the core of the narrative, shaping the finely nuanced, contemplative contours of this quietly told but deeply felt novel.
A poetic, autobiographical collection from famed Mauritian writer Ananda Devi, engaging with loneliness, desire, violence, and aging. “I’m sick of biting off and chewing this dust, of scratching with my thin claws, searching for some chunk of literary gold to hell with all the disarrayed images of our homelands reflections of our particular misery.” From eminent Mauritian writer Ananda Devi, a collection that transgresses genre lines with poetic, autobiographical flow. The pieces herein address the resonance of personal memories and regrets, the political world, and sexuality. In light of the complexity of human identity, Devi emphasizes the importance of each word chosen, speaking directly to the reader and asking them to “peel back my skin. Unclothe me of myself.”
Global Perspectives on Digital Literature: A Critical Introduction for the Twenty-First Century explores how digital literary forms shape and are shaped by aesthetic and political exchanges happening across languages and nations. The book understands "global" as a mode of comparative thinking and argues for considering various forms of digital literature—the popular, the avant-garde, and the participatory—as realizing and producing global thought in the twenty-first century. Attending to issues of both political and aesthetic representation, the book includes a diverse group of contributors and a wide-ranging corpus of texts, composed in a variety of languages and regions, including East...
This book shows how Jules Verne’s Around the World in Eighty Days changed the global imagination. Through his novel, the world was converted into a personal itinerary, scaled to the individual traveller and, by extension, to the individual reader. Exploring Verne’s modern legacy, this study shows how subsequent generations of artists and writers took on Around the World in Eighty Days as an adaptable guidebook to the modern world. It investigates how Verne’s work leads its reader beyond the book itself. It considers Verne’s place in world literature, traces some of the many real reenactments of Verne’s itinerary, and recalls the theatrical adaptations of Verne’s story. Published to coincide with the 500th anniversary of the first circumnavigation and the 150th anniversary of Verne’s novel, this book offers new insights into the largely overlooked influence of Verne on twentieth-century literature and culture and on the field of global modernism.