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On Weathering illustrates the complex nature of the architectural project by taking into account its temporality, linking technical problems of maintenance and decay with a focused consideration of their philosophical and ethical implications.In a clear and direct account supplemented by many photographs commissioned for this book, Mostafavi and Leatherbarrow examine buildings and other projects from Alberti to Le Corbusier to show that the continual refinishing of the building by natural forces adds to, rather than detracts from, architectural meaning. Their central discovery, that weathering makes the "final" state of the construction necessarily indefinite, challenges the conventional notion of a building's completeness. By recognizing the inherent uncertainty and inevitability of weathering and by viewing the concept of weathering as a continuation of the building process rather than as a force antagonistic to it, the authors offer alternative readings of historical constructions and potential beginnings for new architectural projects.
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design...
With the aim of projecting alternative and sustainable forms of urbanism, the book asks: What are the key principles of an ecological urbanism? How might they be organized? And what role might design and planning play in the process? While climate change, sustainable architecture, and green technologies have become increasingly topical, issues surrounding the sustainability of the city are much less developed. The premise of the book is that an ecological approach is urgently needed both as a remedial device for the contemporary city and an organizing principle for new cities. Ecological urbanism approaches the city without any one set of instruments and with a worldview that is fluid in sca...
A monograph presenting recent work of architects Fardjadi and Mostafavi including the Matteson Library; Municipal Building, Mobile; Ulug Beg Cultural Center, Samarkand; Cultural Park, Athens; Ackerman/Slosburg-Ackerman Residence; Evanston Library; and Residence, Dover as well as four essays examinin
A study of the building surface, architecture's primary instrument of identity and engagement with its surroundings. Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book, David Leatherbarrow and Mohsen Mostafavi explore ways that design can take advantage of production methods such that architecture is neither independent of nor dominated by technology. Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design...
This volume addresses the complex relations between urban artifacts and urban life. The contributions show how architects, planners, and urban designers describe and give shape to the city, while novelists, humanists, and other scholars examine its operations and performances. The essential question is: How does the physical character of an urban environment influence or enable the events that take place within a specific setting? Contributors from a wide range of fields address the role and life of cities as diverse as Baku, Buenos Aires, Cairo, Detroit, Jakarta, Johannesburg, Mumbai, Paris, Quito, St. Petersburg, Tel Aviv, Tirana, and Toronto. Portfolios of contemporary photography present...
Mapping has been one of the most fertile areas of exploration for architecture and landscape in the past few decades. While documenting this shift in representation from the material and physical description toward the depiction of the unseen and often immaterial, Cartographic Grounds takes a critical view toward the current use of data mapping and visualization and calls for a return to traditional cartographic techniques to reimagine the manifestation and manipulation of the ground itself. Each of the ten chapters focuses on a single cartographic technique—sounding/spot elevation, isobath/contour, hachure/hatch, shaded relief, land classification, figure-ground, stratigraphic column, cross-section, line symbol, conventional sign—and illustrates it through beautiful maps and plans from notable designers and cartographers throughout history, from Leonardo da Vinci to James Corner Field Operations. Mohsen Mostafavi, dean of the Harvard Graduate School of Design, introduces the book.
The Iranian revolution of 1978–1979 uprooted and globally dispersed an enormous number of Iranians from all walks of life. Bitter political relations between Iran and the West have since caused those immigrants to be stigmatized, marginalized, and politicized, which, in turn, has discredited and distorted Iranian migrants’ social identity; subjected them to various subtle and overt forms of prejudice, discrimination, and social injustice; and pushed them to the edges of their host societies. The Iranian Diaspora presents the first global overview of Iranian migrants’ experiences since the revolution, highlighting the similarities and differences in their experiences of adjustment and i...
Publication associated with the exhibition, "Dispatches from the Harvard GSD: 075 Years of Design" held at the GSD, 2011/2012.
The Japanese architect Takaharu Tezuka caused a stir in 2015 with his TEDtalk "The best kindergarten you've ever seen". As the first text-focused publication, Tezuka Architects: The Yellow Book now provides an insight into the design philosophy of the internationally renowned architecture firm. Based on a lecture by Tezuka at Harvard University Graduate School of Design (GSD), this "pocket guide" in scale and feel introduces the architects' way of thinking, using examples of seminal projects in recent years. Buildings such as the Roof House (2001), the Child Chemo House (2013), or the Fuji Kindergarten (2007) illustrate the powerful impact of Takaharu and Yui Tezuka's design and show how architecture can contribute actively to building a better society.