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Vic Reeves' vivid, enchanting, and utterly hilarious childhood memoir is a comic masterpiece. Before there was Vic Reeves, there was a boy called James Moir who was much the same as any other lad.Obsessed with owning a pet crow, a master at writing his name and terrified of his father's immense moustache. Growing up in Yorkshire and then CountyDurham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having encounters with Jimi Hendrix and the Yorkshire Ripper. Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, witty and inventive, and as unique as you'd expect from one of Britain's most exceptional comedy talents.
Vic Reeves Art Book is an expedition through the mind of Jim Moir, aka the comedian, writer and artist and Vic Reeves. The first collection of his visual work in a decade, this book is a wild ride through subjects and media, ranging from sketches to paintings. Whether he’s depicting Sooty and Sweep unzipped and on the toilet, or grotesque versions of beloved TV personalities, Jim’s unmistakable humour shines through in every brushstroke. Featuring more than 200 images, this is the definitive compendium of Jim’s art, covering early work, some of his best-known pieces, and brand-new creations exclusive to the book.
A. W. Tozer famously described worship as ‘the missing jewel of the evangelical church’. Since he penned those words in 1961, there has been an explosion of musical and lyrical creativity in churches across the United Kingdom. From encountering God in house churches to declaring His praise in Stadiums, contemporary worship has transformed the British Church and spread across the world. Les Moir had a front row seat for much of this time. Recording, producing and playing on landmark albums as well as shaping significant songs from 3 generations of worship leaders, including: Matt Redman, Martin Smith, Tim Hughes and Graham Kendrick. In Missing Jewel he tells this story using his own experiences and inspiring first-hand accounts of the many musicians, songwriters and Church leaders who found themselves part of a journey that continues to bless and exhilarate new generations of believers.
This collection of poetry from Scottish author David Macbeth Moir showcases his lyrical style and gift for storytelling. From nature to life's big questions, Moir explores a range of themes in his evocative verse. Readers will be transported to the moors of Scotland and moved by Moir's poignant words. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In Ernst Bloch’s Speculative Materialism: Ontology, Epistemology, Politics, Cat Moir offers a new interpretation of the philosophy of Ernst Bloch. The reception of Bloch’s work has seen him variously painted as a naïve realist, a romantic nature philosopher, a totalitarian thinker, and an irrationalist whose obscure literary style stands in for a lack of systematic rigour. Moir challenges these conceptions of Bloch by reconstructing the ontological, epistemological, and political dimensions of his speculative materialism. Through a close, historically contextualised reading of Bloch’s major work of ontology, Das Materialismusproblem, seine Geschichte und Substanz (The Materialism Problem, its History and Substance), Moir presents Bloch as one of the twentieth century’s most significant critical thinkers.
Excerpt from The Families of Moir and Byres From pages 84 to 96 will be found a notice of all t/ze Moirs, extracted from the Register of St. Nicholas from 1570 to 1700, and although many of the entries obviously belong to families whose genealogy is given in the body of the work, the author thought it better, as he has had no access to family papers, &c., to leave them, in most cases, in this register, rather than guess at their proper place in the various genealogies. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.