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Published between 1906 and 1930, Molla Nasreddin was a satirical Azeri periodical edited by Jalil Mammadguluzadeh and named after the legendary Sufi wise man-cum-fool of the Middle Ages (who reputedly lived in the thirteenth century in the Ottoman Empire). With an acerbic sense of humour and realist illustrations, Molla Nasreddin attacked the hypocrisy of the Muslim clergy, the colonial policies of European nations, and later the United States, towards the rest of the world and the corruption of local elites, while at the same time arguing for Westernisation, educational reform and equal rights for women. The publication was an instant success-selling half of its initial print run of 1,000 in the first day-and within months would sell 5000 copies per issue, which was record-breaking for the time. It became one of the most influential publications of its kind and was read across the Muslim world. Slavs and Tatars, a leading art collective focusing on Eurasia, has brought together this collection of sketches, caricatures and satirical writings from Molla Nasreddin, in the process revealing an unusual manifestation of nationalism in the Caucasus and its surrounding regions.
A study of the iconic illustrated periodical Mollā Nasreddin, whose editors, writers and illustrators were Muslims and Georgians of South Caucasus In 1906, a group of artists and intellectuals reinterpreted the tales of the Middle Eastern trickster Nasreddin to construct a progressive anti-colonial discourse with a strong emphasis on social, political and religious reform. Using folklore, visual art and satire, their periodical - Mollā Nasreddin - which had full-page lithographic cartoons in colour, reached tens of thousands of people across the Muslim world, from Iran and Turkey, to India and Egypt, impacting the thinking of a generation. The founder of the periodical was Jalil Mamedqoliz...
A member of the first generation of scholars allowed access to formerly closed Soviet archives, Daniel Peris offers a new perspective on the Bolshevik regime's antireligious policy from 1917 until 1941. He focuses on the activities of the League of the Militant Godless, the organization founded by the regime in 1925 to spearhead its efforts to promote atheism and he presents the League's propaganda, activities, and personnel at both the central and the provincial levels. On the basis of his research in archives in rural Pskov and industrial Iaroslavl', as well as in the central party and state archives in Moscow, Peris emphasizes the transformation of the ideological agenda formulated in Mos...
On the Threshold of Eurasia explores the idea of the Russian and Soviet "East" as a political, aesthetic, and scientific system of ideas that emerged through a series of intertextual encounters produced by Russians and Turkic Muslims on the imperial periphery amidst the revolutionary transition from 1905 to 1929. Identifying the role of Russian and Soviet Orientalism in shaping the formation of a specifically Eurasian imaginary, Leah Feldman examines connections between avant-garde literary works; Orientalist historical, geographic and linguistic texts; and political essays written by Russian and Azeri Turkic Muslim writers and thinkers. Tracing these engagements and interactions between Rus...
Here, Nasrudin's anecdotes are seen to be parallel to the mind's working, designed to amuse the tea-house, but also intended for use on other levels.
historical essays
Collected stories about a popular figure in the folklore of many Asian and European countries.
Mainly rev. papers from an international symposium held Sept. 17-21, 2004 in Berlin.
Mulla Nasreddin, as he is known the Persian speaking world, is a humorous witty character that goes by different names in different cultures. Iranians, Arabs and Turks still bicker about who he was and where he was from. Though Mulla Nasreddin originated in the Middle East half a millennia ago, the popularity of his stories is such that they have travelled and settled down in places as diverse as China, Russia, Sweden, India, Malaysia, the Balkans and Portugal. What can be said is that the Mulla is a universal character on which are framed various humorous, philosophical, moral or pedagogic anecdotes. The main players of these whimsical vignettes are the Mulla, his donkey and his wife. A Mul...