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Exhibitionist
Shortlisted for the ReLit 2022 Poetry Award Smart, raunchy poems that are sorry-not-sorry. One minute she’s drying her underwear on the corner of your mirror, the next she’s asking the sky to swallow her up: the narrator of Exhibitionist oscillates between a complete rejection of shame and the consuming heaviness of it. Painfully funny, brutally honest, and alarmingly perceptive, Molly Cross-Blanchard’s poems use humour and pop culture as vehicles for empathy and sorry-not-sorry confessionalism. What this speaker wants more than anything is to be seen, to tell you the worst things about herself in hopes that you’ll still like her by the end. “Sticky, sad, and sultry, Exhibitionist ...
Because the Sun
Camus’s Meursault and Thelma and Louise meet up under the blazing sun. Vexed by the ‘unremarkable star’ that ‘presses’ Camus’s Meursault to commit murder, Because the Sun considers the blazing sun as a material symbol of ambient violence – violence absorbed like heat and fired at the nearest victim. Likewise, as a friendship between women confronts gendered aggression in Thelma and Louise, the sun becomes the repository of pain, the high noon that pushes us through desert after desert. Because the Sun’s pastiche of voices embodies both stylistic and formal relentlessness by teasing out tonalities that blend and merge into each other, generating a blinding effect, like looking...
Things Are Good Now
Explores the scars of violence and the weight of love and guilt on the soul. Women, men, and children cross continents in search of a better life to find themselves struggling with the chaos of displacement and the religious and cultural clashes they face in their new homelands.
Prism International
None
Best Canadian Poetry 2025
Selected by editor Aislinn Hunter, the 2025 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2023. Featuring: Hollie Adams • George Amabile • Erin Bedford • Billy-Ray Belcourt • Bertrand Bickersteth • Elisabeth Blair • Ronna Bloom • Alison Braid-Fernandez • Robert Bringhurst • Emily Cann • Anne Carson • Molly Cross-Blanchard • Lorna Crozier • Kayla Czaga • Evelyna Ekoko-Kay • Kate Genevieve • Susan Gillis • Sue Goyette • Catherine Graham • Henry Heavyshield • Gerald Hill • Alexander Hollenberg • Kim June Johnson • Eve Joseph • Evelyn Lau • Y. S. Lee • D. A. Lockhart • Fareh Malik • David Martin • Domenica Martinello • Cassidy McFadzean • Carmelita McGrath • Erín Moure • Tolu Oloruntoba • Catherine Owen • Molly Peacock • Miranda Pearson • Pauline Peters • Amanda Proctor • Shannon Quinn • Armand Garnet Ruffo • Anne Simpson • Carolyn Smart • Karen Solie • Catherine St. Denis • Owen Torrey • Michael Trussler • Sara Truuvert • Rob Winger • Jaeyun Yoo
The Journey Prize Stories 32
For more than three decades, The Journey Prize Stories has been Canada's most celebrated annual fiction anthology and a who's-who of up-and-coming writers. With settings ranging from a wildlife rescue centre to a Living Body exhibit, the thirteen stories in this collection represent the year's best short fiction by some of our most exciting emerging literary talents. On Sunday afternoons, a coven of teenagers gathers at The Lois Lanes bowling alley to discuss their shared obsession with the second hottest boy in school. A patient joins her therapist and her therapist's granddaughter for an unconventional session--a field trip to confront the reviled Feed Machine. Troubled by dreams and trail...
The Journey Prize Stories 31
For more than thirty years, this celebrated anthology has introduced readers to the next generation of great Canadian writers. With settings ranging from a Saskatchewan wheat field marked by crop circles to a dystopian metropolis where people are under constant surveillance, the twelve stories in this collection represent the year's best short fiction by some of our most exciting emerging voices. An aspiring artist looking for inspiration in the "aliveness of the desert" gets less--and more--than she bargained for when she signs up for a residency at a roadside motel. After years of toiling to pay off a debt that has devastated his family, a young Chinese fisherman makes a magical catch that...
How to Read (and Write About) Poetry – Second Edition
How to Read (and Write About) Poetry invites students and others curious about poetry to join the critical conversation about a genre many find a little mystifying, even intimidating. In an accessible, engaging manner, this book introduces the productive questions, reading strategies, literary terms, and secondary research tips that will empower readers to participate in literary analysis. Holbrook explicates a number of poems, initiating readers into critical discourse while highlighting key poetic terms. The explications are followed by selections of related works, so the book thus offers what amounts to a brief anthology, ideal for a poetry unit or introductory class on poetry and poetics. A chapter on meter illuminates the rhythmic dimension of poetry and guides readers through methods of scansion. The second edition is updated throughout and includes a fresh selection of poems and the latest MLA citation guidance.
Teaching Creative Writing in Canada
Teaching Creative Writing in Canada maps the landscape of Creative Writing programmes across Canada. Canada’s position, both culturally and physically, as a midpoint between the two major Anglophone influences on Creative Writing pedagogyy—the UK and the USA—makes it a unique and relevant vantage for the study of contemporary Creative Writing pedagogy. Showcasing writer-professors from Canada’s major Creative Writing programmes, the collection considers the climate-crisis, contemporary workshop scepticism, curriculum design, programme management, prize culture, grants and interdisciplinarity. Each chapter concludes with field-tested writing advice from many of Canada’s most influential professors of fiction, poetry, creative nonfiction and drama. This authoritative volume offers an important national perspective on contemporary and timeless issues in Creative Writing pedagogy and their varied treatment in Canada. It will be of valuable to other creative teachers and practitioners, those with an interest in teaching and learning a creative art and anyone working on cultural and educational landscapes.
Old Gods
Métis Ukrainian writer Conor Kerr’s sharp and incisive poems move restlessly across landscapes and time. Conor Kerr’s poetry is in constant motion. 4Runners streak through the night, racing with coyotes and roving across the land. Buses travel from town to town, from one memory to another, from past to present. Friends and lovers search for each other on Instagram and find nothing. And always the natural world travels alongside: the watching magpies, woodpeckers and cedar waxwings, the coyotes and porcupines. Family is the crisp wings of mallard ducks flying at dawn, just as it is a game of crib, a Mario Kart race, a dance party. Old Gods defies colonialism on the Prairies. Kerr situates his reader in the Métis mindset: the old gods of the land are alive within the rivers, the birds, the hills and the prairies that surround us, and they’ll always be here.
