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Leisure
In a fast-paced society that prizes utilitarian productivity, leisure and play can be difficult to enjoy without guilt. Rather than resist this cultural tide, the church often inadvertently baptizes such workaholism, spiritualizes the idolatry of productivity, and participates in the functional desecration of the physical creation that God declared "good." But leisure is not only fun; it is essential for our spiritual health. This issue of An Unexpected Journal explores the theological and philosophical foundations for the sacredness of play, along with lighter reflections on how various sports, hobbies, and leisure activities reveal the goodness and character of God. Contributors “The Cur...
Mothers' Journal
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Asymmetric Politics
The Republican Party is the vehicle of an ideological movement whereas the Democratic Party is a coalition of social groups with concrete policy concerns. Democrats prefer a more moderate party leadership that makes compromises, whereas Republicans favor a more conservative party leadership that sticks to principles. Each party finds popular support for its approach because the American public simultaneously favors liberal positions on specific policy issues and conservative views on the broader role of government.
It Happened In Paris
Evie Dexter is in pursuit of a career as a European tour guide. Heart set on success and buoyed on by booze, she begins 'enhancing' her CV and soon lands a job with Insignia Tours, guiding their Paris breaks. Bursting with professionalism, Evie quickly checks her copy of Vogue Paris to remind herself where France actually is. Task accomplished, she's determined to become a cultured and respected chaperone. And she would be, if only the French wine wasn't so delicious and Rob, her sexy coach driver, so deliciously distracting . . .
Alison Lurie
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988). In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the 'International Theme' and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form. Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
