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Writing Queer Women of Color
Queer women of color have historically been underrepresented or excluded completely in fiction and comics. When present, they are depicted as "less than" the white, Eurocentric norm. Drawing on semiotics, queer theory, and gender studies, this book addresses the imbalanced representation of queer women of color in graphic narratives and fiction and explores ways of rewriting queer women of color back into the frame. The author interrogates what it means to be "Other" and how "Othering" can be more creatively resisted.
Jewish Women in Comics
In this groundbreaking collection of essays, interviews, and artwork, contributors draw upon a rich treasure trove of Jewish women’s comics to explore the representation of Jewish women’s bodies and bodily experience in pictorial narratives. Spanning national, cultural, and artistic borders, the essays shine a light on the significant contributions of Jewish women to comics. The volume features established figures including Emil Ferris, Amy Kurzweil, Miriam Libicki, Trina Robbins, Sharon Rudahl, and Ilana Zeffren, alongside works by artists translated for the first time into English, such as artist Rona Mor. Exploring topics of family, motherhood, miscarriages, queerness, gender and Judaism, illness, war, Haredi and Orthodox family life, and the lingering impact of the Holocaust, the contributors present unique, at times intensely personal, insights into how Jewishness intersects with other forms of identity and identification. In doing so, the volume deepens our understanding of Jewish women’s experiences.
Desegregating Comics
Some comics fans view the industry’s Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people. Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations...
The Critical Life of Toni Morrison
The first book to trace the critical reception of the great African American woman writer, attending not only to her fiction but to her nonfiction and critical writings.
Key Terms in Comics Studies
Key Terms in Comics Studies is a glossary of over 300 terms and critical concepts currently used in the Anglophone academic study of comics, including those from other languages that are currently adopted and used in English. Written by nearly 100 international and contemporary experts from the field, the entries are succinctly defined, exemplified, and referenced. The entries are 250 words or fewer, placed in alphabetical order, and explicitly cross-referenced to others in the book. Key Terms in Comics Studies is an invaluable tool for both students and established researchers alike.
Queen of Snails
Home is not a place you can reach by train or plane. It’s something you carry with you. Uprooted from her childhood in Germany and set adrift in the American Midwest, Maureen was raised by a kind but neglectful mother who loved Jesus more than her own child and a stern, disinterested grandmother who waxed nostalgic about Nazi Germany. Growing up queer and isolated, Maureen often felt unmoored and unloved. Years later, Maureen reflects upon her complicated past. Queen of Snails follows Maureen through time and memory in her quest to untangle the trauma passed down to her over three generations of women. Part memoir and part family history, Queen of Snails is a beautifully drawn, powerful story that examines and transmutes the emotional baggage of violence, abandonment, and displacement.
Approaches to Teaching Bechdel’s Fun Home
Alison Bechdel’s Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison’s complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book’s nonlinear structure; intertextuality with modernist novels, Greek myths, and other works; and frank representations of sexuality and death present challenges in the classroom. This volume offers strategies for teaching Fun Home in a variety of courses, inclu...
Queer Precarities in and Out of Higher Education
Queer Precarity in Higher Education looks at queer scholars pushing against institutional structures, and the queer knowledge that gets pushed out by universities. It provides insight into the work of, in and beyond academia as it is un-done in the contemporary (post)Covid moment, not least by queer academic-activists. This radical un-doing represents cycles of queer precarity, pragmatism and participation both situating and questioning the 'queer arrival' of institutionalized programmes and presences (e.g. queer and gender studies degrees, prominent and public feminist academics). In this book, the contributors push back against contemporary educational precarity, mobilizing queer insight a...
Desegregating Comics
"Desegregating Comics: Debating Blackness in the Golden Age of American Comics explores race and blackness in comic books, comic strips, and editorial cartoons in the United States from the turn of the twentieth century through the height of the industry's popularity in the 1950s. The historical perception of Black people in comic art has long been tied to caricatures of indecipherable minstrels, devious witch doctors, and brutal savages. Yet the chapters in this collection reveal a more complex narrative and aesthetic landscape, one that was enriched by the negotiations among comics artists, writers, editors, distributors, and readers over how blackness should be portrayed in popular culture. This book brings together an extraordinary group of scholars in comics studies to consider the lasting impact of the Jim Crow era's tumultuous racial politics on the most prolific decades of the American comics industry"--
Feminist Periodicals
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