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In this book philosophers try to answer the following question: What is globalization and what does "globe" or "world" (monde) signify? Rémi Brague returns to the Greek idea of the cosmos in order to track the worldhood (mondanéité) of the world, that is, the process by which the idea of the world is formed. Don Ihde shows how a world has developed, in which technologies are no longer considered neutral means serving the ends of human action, but become the very means by which people exist in the world. Vittorio Mathieu describes the economical world at two levels – that of the individual and that of society. Tomonobu Imamichi analyses the capacity of aesthetic experience to disclose a world other than the world of technological efficiency. Francisco Miró Quesada C. emphasises that the great political questions are not solvable without worldviews that express value systems. David Rasmussen describes sensus communis as a cosmopolitan concept, which founds a political globalization of the world. And Peter Kemp attempts to grasp the meaning of that globalization upon which the destiny of our planet depends.
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The story of the world's first fashion-obsessed society in eighteenth-century London - and the colourful tales of extravagance, vanity, intrigue, and sexual indiscretion that accompanied it
In the Demi-Monde Ella can trust nothing and nobody . . . not even herself. This omnibus edition includes all four parts of The Demi-Monde, called 'Discworld's savage noir cousin' by Stephen Baxter and 'an amazingly quick and enjoyable read' by the British Fantasy Society. The Demi-Monde is a computer-simulated training ground for soldiers. Populated by history's most notorious leaders, it is truly a Cyber-Hell. Ella Thomas was sent there to rescue Norma Williams, the daughter of the President of the United States, but it has all gone horribly wrong. Now she is stuck in this cyber world; the friends she trusted have become her enemies and the Grigori, who have lain quiet for thousands of years, dreaming of the day they will emerge into our world, threaten to finally achieve their goals. To succeed in preventing this destruction, Ella must be more than she ever believed she could be, because resisting evil will require courage, resolve . . . and sacrifice. 'Part Matrix, part Escape from New York , with a dash of Film Noir and a whole host of imagination. Beautifully written' Falcata Times
The first book in English to examine one of the most important and influential texts from a literary perspective.
In Beau Monde on Empire’s Edge, Mayhill C. Fowler tells the story of the rise and fall of a group of men who created culture both Soviet and Ukrainian. This collective biography showcases new aspects of the politics of cultural production in the Soviet Union by focusing on theater and on the multi-ethnic borderlands. Unlike their contemporaries in Moscow or Leningrad, these artists from the regions have been all but forgotten despite the quality of their art. Beau Monde restores the periphery to the center of Soviet culture. Sources in Russian, Ukrainian, Polish, and Yiddish highlight the important multi-ethnic context and the challenges inherent in constructing Ukrainian culture in a place of Ukrainians, Russians, Poles, and Jews. Beau Monde on Empire’s Edge traces the growing overlap between the arts and the state in the early Soviet years, and explains the intertwining of politics and culture in the region today.