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What is representation? What does it mean when a politician represents citizens in government? How can citizens be represented beyond the boundaries of the nation-state? These are just some of the questions which will be answered by David Runciman and Mónica Brito Vieira as they explain why representation should be understood as one of the key concepts in modern politics. The first part of the book examines the historical roots of the concept of representation, from its origins in ancient Rome through to its role in the revolutionary politics of the modern world. The second looks at different varieties of representation – in law as well as politics. The final part asks how the concept of ...
Commentators have traditionally constructed Hobbes's thinking on representation too narrowly, as a self-contained area of his political theory. This book challenges this orthodoxy of Hobbes scholarship, which owes less to Hobbes’s thought than to contemporary preconceptions of what counts as political thinking. In her powerful and original analysis, Mónica Brito Vieira mines neglected strands of Hobbes's theory of representation, and reinstates it in a much wider pattern of Hobbes’s theorizing about human thought and action in relation to widely varied images, roles and fictions. The result is a compelling portrait of how man's natural power to form representations through the imagination and artifice underpins his capacity to break away from nature, and fashion a world that best suits his needs.
Representation is integral to the functioning and legitimacy of modern government. Yet political theorists have often been reluctant to engage directly with questions of representation, and empirical political scientists have closed down such questions by making representation synonymous with congruence. Conceptually unproblematic and normatively inert for some, representation has been deemed impossible to pin down analytically and to defend normatively by others. But this is changing. Political theorists are now turning to political representation as a subject worthy of theoretical investigation in its own right. In their effort to rework the theory of political representation, they are als...
It is impossible to separate the content of a book from its form. In this study, Filipe Carreira da Silva and Mónica Brito Vieira expand our understanding of the history of social and political scholarship by examining how the entirety of a book mediates and constitutes meaning in ways that affect its substance, appropriation, and reception over time. Examining the evolving form of classic works of social and political thought, including W. E. B. Du Bois’s The Souls of Black Folk, G. H. Mead’s Mind, Self, and Society, and Karl Marx’s 1844 Economic and Philosophic Manuscripts, Carreira da Silva and Brito Vieira show that making these books involved many hands. They explore what publish...
Wishing to be helpful, Nurturing the Imperial Presidency by Brien Hallett illuminates the 5,000-year-old invariant practice of executive war-making. Why has the nation's war leader always decided and declared war? Substituting a speech act approach for the traditional "separation of powers" approach, Hallett argues that he who controls the drafting of the declaration of war also controls the decision to go to war. However, recent legislation calling for legislated "approvals" or “authorization to use force” before the executive can go to war, in no way hinder the executive's ancient prerogative power to decide and declare war. Innovative ways to deny the executive its ability to decide and declare war are proposed in this book.
Offers new insights into the works of Machiavelli, Shakespeare and especially Hobbes by focusing on their use of rhetoric.
Considers how political language has changed through time, looking at concrete examples from English and other languages.
Draws from political science, history, political theory, economics, and anthropology to answer the most important questions about political representation.
This expansive and practical textbook contains organic chemistry experiments for teaching in the laboratory at the undergraduate level covering a range of functional group transformations and key organic reactions.The editorial team have collected contributions from around the world and standardized them for publication. Each experiment will explore a modern chemistry scenario, such as: sustainable chemistry; application in the pharmaceutical industry; catalysis and material sciences, to name a few. All the experiments will be complemented with a set of questions to challenge the students and a section for the instructors, concerning the results obtained and advice on getting the best outcome from the experiment. A section covering practical aspects with tips and advice for the instructors, together with the results obtained in the laboratory by students, has been compiled for each experiment. Targeted at professors and lecturers in chemistry, this useful text will provide up to date experiments putting the science into context for the students.
The carole was the principal social dance in France and England from c. 1100 to c. 1400 and was frequently mentioned in French and English medieval literature. However, it has been widely misunderstood by contributors in recent citations in dictionaries and reference books, both linguistic and musical. The carole was performed by all classes of society - kings and nobles, shepherds and servant girls. It is described as taking place both indoors and outdoors. Its central position in the life of the people is underlined by references not only in what we might call fictional texts, but also in historical (or quasi-historical) writings, in moral treatises and even in a work on astronomy. Dr Robert Mullally's focus is very much on details relevant to the history, choreography and performance of the dance as revealed in the primary sources. This methodology involves attempting to isolate the term carole from other dance terms not only in French, but also in other languages. Mullally's groundbreaking study establishes all the characteristics of this dance: etymological, choreographical, lyrical, musical and iconographical.