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Prose Poetry in Theory and Practice
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
Creative Manoeuvres
Creative Manoeuvres is a collection of new writings on a topic of enduring interest: the role of creative practice in the formation of knowledge. The contributors to this collection are primarily creative writers, working in poetry, fiction, nonfiction and ethnography. Many include the visual or performing arts within their practice; and all are academics as well as creative writers. Their chapters move the study of creative writing beyond subjective accounts of ‘how I write’ towards broader issues of how knowledge is addressed by, or incorporated into, or embodied in, art. Each chapter also does double duty as a case study on approaches to creative and research work, both describing and...
Prose Poetry
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent som...
Beyond Straw Men
"Addressing plastics can feel overwhelming. Guilt, shame, anger, hurt, fear, dismissiveness, and despair abound. Beyond Strawmen moves beyond "hot take" or strawman fallacies by illustrating how affective counterpublics mobilized around plastics reveal broader stories about environmental justice and social change. Inspired by on- and offline organizing, Pezzullo engages public controversies, policies, and headline-making advocates in Bangladesh, Kenya, the US, and Vietnam through hashtag activism, campaign materials, and her podcast, Communicating Care. She argues that plastics have become an entry point into contested environmental politics, including carbon-heavy masculinity, carceral policies, planetary fatalism, eco-ableism, greenwashing, marine life endangerment, pollution colonialism, and waste imperialism. Attuned to plastic attachments, Beyond Strawmen shares how unsustainable patterns of the plastics-industrial complex are resisted through imperfect but impactful networked cultures of care"--
The JAB Anthology
This anthology of articles selected from The Journal of Artists’ Books contains some of the best critical writing on artists’ books produced in the last quarter of a century. Driven by the editorial vision of artist Brad Freeman, JAB began as a provocative pamphlet and expanded to become a significant journal documenting artists’ books from multiple perspectives. With its range of participants and approaches, JAB provided a unique venue for sustained critical writing in the field and developed a broad subscriber base among institutional and private collectors and readers. More than two hundred writers and artists from nearly two dozen countries around the globe were published in its pages. The JAB Anthology contains contributions by many renowned figures in the field including: Anne Moeglin-Delcroix, Janet Zweig, Monica Carroll, Adam Dickerson, Alisa Scudamore, Mary Jo Pauly, April Sheridan, Doro Boehme, Gerrit Jan de Rook, Océane Delleaux, Brandon Graham, Jérôme Dupeyrat, Ward Tietz, Paulo Silveira, Philip Cabau, Leszek Brogowski, Lyn Ashby, Tim Mosely, Debra Parr, Pedro Moura, Levi Sherman, Catarina Figueiredo Cardoso, Isabel Baraona, and the editors.
Sisters of the Holy Spirit and Mary Immaculate, The
For 125 years, the Sisters of the Holy Spirit and Mary Immaculate served the poor and, in particular, people of color. They are the first order of sisters founded in Texas. Their foundress, Margaret Mary Healy Murphy, built the first Catholic African American school and church in San Antonio, the second in the state of Texas. The sisters carried their mission and work beyond the Lone Star State's borders and included most of the South and a few metropolitan areas of the North. They crossed the Rio Grande and had several missions in Mexico and traversed a new continent when they opened a learning center in Zambia. The sisters were primarily known as educators and, in later years, worked in religious education and pastoral ministry. They have also operated orphanages and nursing homes and served in hospitals, homeless shelters, incarceration facilities, and immigration residences. The school they built over 100 years ago, now known as the Healy Murphy Center, serves the community as an alternative high school, and the sisters still teach there.
Suddenness and the Composition of Poetic Thought
Interrogating the much-cherished concept of “poetic thinking,” this book focuses on what interview and draft materials reveal of how poets actually do think, when in the act of writing. The interviews confirm what findings from cognitive science and linguistics make clear: we rarely know exactly what words we are going to say, until we have said them. Suddenness and the Composition of Poetic Thought draws out the implications of a radically curtailed view of consciousness on how we understand the drafting and revision of lines of poetry, with implications for our theorisation of the composition of prose. Henrich von Kleist’s assertion that “it is not we, but a certain condition of ou...
