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This volume initiates a long-overdue reassessment of mid-twentieth-century British theatre cultures.
Publisher description.
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produc...
This comprehensive volume reviews women's contributions to theatre history and examines how theatre has represented women over the centuries.
This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.
Raising the Red Flag explores the origins of the British Marxist movement from the creation of the Social Democratic Federation to the foundation of the Communist Party. It tells a story of rising class struggle, the founding of the Labour Party, the fight against World War One, the Russian Revolution, and the explosive year of 1919. The book also uses new archival sources to re-examine Marxist organisations such as the British Socialist Party, the Socialist Labour Party, and Sylvia Parkhurst’s Workers’ Socialist Federation. Above all, this is the story of men and women who fought to liberate the working class from capitalism through socialist revolution.
Restaging the Past is the first edited collection devoted to the study of historical pageants in Britain, ranging from their Edwardian origins to the present day. Across Britain in the twentieth century, people succumbed to ‘pageant fever’. Thousands dressed up in historical costumes and performed scenes from the history of the places where they lived, and hundreds of thousands more watched them. These pageants were one of the most significant aspects of popular engagement with the past between the 1900s and the 1970s: they took place in large cities, small towns and tiny villages, and engaged a whole range of different organised groups, including Women’s Institutes, political parties,...
This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term 'roadhouse' was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These roadhouses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the prospect of a high-speed run into the countryside. During the day, they offered family activities such...
In the 1920s, many in the British establishment became convinced that their way of life was being threatened by the new Soviet state. The British government launched vast spying operations in response, carrying out surveillance on not only suspect Russians, but British aristocrats, Bloomsbury artists, ordinary workers and even MPs. What they discovered had profound ramifications for the whole of British society, dividing the nation and laying the foundations for the later Cold War. Drawing on a wealth of recently declassified archives, The Secret Twenties tells the story of the first Soviet spies and the double agents in their midst, all of it set against the sparkling backdrop of cocktail-era London.