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The Future of Egyptology
‘Monica Hanna has been leading the charge against the looting of ancient sites across the country' - National Geographic A firebrand Egyptologist presents her brilliantly argued, unexpected, and deeply rewarding journey into the future – via ancient history. Think of Ancient Egypt, and you’re likely to think of hieroglyphic-covered tombs being unsealed by Victorian explorers, revealing ‘wonderful things’ – as Howard Carter famously remarked on seeing Tutankhamun’s treasures for the first time. But how did the practice known as ‘Egyptology’ become the domain of wealthy Europeans? And what can be done in future to give agency back to the country where it all began? Dr. Hanna ...
The Cards That Continue to Fall
We learn that in life, things nearly always never go to plan. This was mostly the case for Hanna, a young woman whose father is a transgender, and her life always seemed to be something different to what it actually was. Through this journey of Hanna's life, she tells the story of how one of the most important things is to stay true to what you believe. Hanna was always born to roam, and that's exactly what she would do. From helping young children in Africa to working alongside orangutans and sun bears in Borneo to just visiting friends around the world, she would always be a traveler. Hanna has a great passion to make a difference in the life of all living beings! For all the misfortune that Hanna may have faced with the cards she had been dealt, she was just as equally blessed. Hanna finds truth, understanding, and contentment in her life through great friends and family and a passion for compassion!
Women in Historical and Archaeological Video Games
This volume focuses on the depiction of women in video games set in historical periods or archaeological contexts, explores the tension between historical and archaeological accuracy and authenticity, examines portrayals of women in historical periods or archaeological contexts, portrayals of female historians and archaeologists, and portrayals of women in fantastical historical and archaeological contexts. It includes both triple A and independent video games, incorporating genres such as turn-based strategy, action-adventure, survival horror, and a variety of different types of role-playing games. Its chronological and geographical scope ranges from late third century BCE China, to mid first century BCE Egypt, to Pictish and Viking Europe, to Medieval Germany, to twentieth century Taiwan, and into the contemporary world, but it also ventures beyond our universe and into the fantasy realm of Hyrule and the science fiction solar system of the Nebula.
What Photographs Do
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect? What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways ...
Forms of Dictatorship
An intra-ethnic study of Latina/o fiction written in the United States from the early 1990s to the present, Forms of Dictatorship examines novels that depict the historical reality of dictatorship and exploit dictatorship as a literary trope. This literature constitutes a new sub-genre of Latina/o fiction, which the author calls the Latina/o dictatorship novel. The book illuminates Latina/os' central contributions to the literary history of the dictatorship novel by analyzing how Latina/o writers with national origin roots in the Caribbean, Mexico, and Central and South America imaginatively represent authoritarianism. The novels collectively generate what Harford Vargas terms a "Latina/o co...
Faith's Genesis
Spiritual gifts are given to all of us. It is through these gifts our lives take flight.... In a relationship with Princess Juliana Radcliffe of Liechtenstein, Jonathan Baker became a father. He never thought her a princess Or that loving her would be dangerous Until a political threat arose Forcing their flight to protect their young family. Years have passed and now their children, Princess-Apparent Catherine and Prince –Apparent Trevor, are poised for their irrevocable futures. The spiritual gifts of others guide their journey. For Catherine, a chance encounter with a high school friend leads to motherhood’s door. The spiritual connection to her and her brother’s past finds its advent with this new life. Her journey finds its roots in the spiritual gifts of others, gaining momentum through unsurpassable love, deep secrets, prophecies and shocking revelations. Can she pull the pieces together to help her family return to normalcy and their thrones?
Females in the Frame
This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
The Future of the Novel
We're used to the novel being declared dead, dying, or endangered. Seemingly every few years, a critic will read it the last rites – yet the form remains more popular than ever with readers. In The Future of the Novel, author Simon Okotie presents a bold future for long-form fiction, and suggests its evolution is far from over. Using John Carruthers' 1927 book Scheherezade, or The Future of the English Novel, as a starting point, Okotie then cites others who have since meditated on the direction of the form, including Henry James, D. H. Lawrence, William Burroughs, Anaïs Nin, Zadie Smith and China Miéville. All of which informs Okotie's own vision for the novel of tomorrow – one that extends even further into the reaches of the subconscious, and doesn't shy away from the uneasy role artificial intelligence will inevitably play in coming decades. The Future of The Novel is a rich and immersive portrait of an artform which, despite constant claims to the contrary, is more alive and exciting than ever.
American Migrant Fictions
In American Migrant Fictions: Space, Narrative, Identity, Sonia Weiner focuses on novels of five American migrant writers of the late twentieth and early twenty-first centuries, who construct spatial paradigms within their narratives to explore questions of linguistic diversity, identities and be-longings. By weaving visual techniques within their narratives (photography, comics, cartography) authors Aleksandar Hemon, G.B. Tran, Junot Díaz, Boris Fishman and Vikram Chandra convey a surplus of perspectives and gesture towards alternative spaces, spatial in-between-ness and transnational space.
Plunder?
A provocative reassessment of a popular narrative that connects museums, the antiquities trade, and theft. In this thought-provoking new work, historian Justin M. Jacobs challenges the widely accepted belief that much of Western museums’ treasures were acquired by imperialist plunder and theft. The account reexamines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artifacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian, and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative of hope and promise for a brighter, more equitable future—a compelling reassessment of one of the institutional pillars of the Enlightenment.
