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Full of whacky humour, mischief, fun and learning, the book revolves around a bunch of school children. Each character has a distinct quality, which is revealed in the word play with names. The book has six short stories, and its target audience is children in the age group of 5-7 years. Glutton Hog Pigs Out : Greedy Glutton Hog picks on everyone’s lunch box, and finishes their food, much to their frustration. The children decide to teach him a lesson. The Magic Pencil : When Nerdy reveals that he enjoys doing his homework because he has a magic pencil to help him, his classmates are envious and decide to get the magic pencil for themselves.
Papers presented at the International Conference on 'Public Diplomacy in Theory and Practice : Culture, Information and Interpretation in Australia-India Relations', held at India International Centre, New Delhi during 8-9 April 2011.
Mass immigration post World War II has transformed Australian society and politics. This is indeed a far cry from the vision of the architects of the 'White Australia' policy over a hundred years ago. This volume explores this dramatic change by examining the politics of the peopling of Australia dating from the Immigration Restriction Act 1901, the so-called 'White Australia' policy which sought to forge the Australian nation as a 'citadel of the British speaking race' (Prime Minister Curtin). The book examines how critical issues of race and immigration still haunt the political landscape even as we find an increasingly cosmopolitan Australia becoming more Asian oriented. As a study of this unique and successful experiment in creating a diverse and multicultural society, this book will be useful to anyone interested in what drives and sustains a diverse and pluralistic society.
This ground-breaking, interdisciplinary volume provides an overdue assessment of how infertility has been understood, treated and experienced in different times and places. It brings together scholars from disciplines including history, literature, psychology, philosophy, and the social sciences to create the first large-scale review of recent research on the history of infertility. Through exploring an unparalleled range of chronological periods and geographical regions, it develops historical perspectives on an apparently transhistorical experience. It shows how experiences of infertility, access to treatment, and medical perspectives on this ‘condition’ have been mediated by social, political, and cultural discourses. The handbook reflects on and interrogates different approaches to the history of infertility, including the potential of cross-disciplinary perspectives and the uses of different kinds of historical source material, and includes lists of research resources to aid teachers and researchers. It is an essential ‘go-to’ point for anyone interested in infertility and its history. Chapter 19 is open access under a CC BY 4.0 license via link.springer.com.
From the bestselling author of Karna's Wife, comes this book about Urmila, Sita's sister and the neglected wife of Lakshman, and one of the most overlooked characters in the Ramayana. As Sita prepares to go into exile, her younger sisters stay back at the doomed palace of Ayodhya, their smiles, hope and joy wiped away in a single stroke. And through the tears and the tragedy one woman of immense strength and conviction stands apart-Urmila, whose husband, Lakshman, has chosen to accompany his brother Ram to the forest rather than stay with his bride. She could have insisted on joining Lakshman, as did Sita with Ram. But she did not. Why did she agree to be left behind in the palace, waiting for her husband for fourteen painfully long years?
Re-Visioning Myth is the first in-depth assessment of "re-vision" as a phenomenon in women’s drama, examining the diverse ways in which classical myth narratives have been reworked by women playwrights for the European stage. This study explores the ideological and aesthetic potential of such practice and silmultaneously exposes the tensions inherent in attempts to challenge narratives that have fundamentally shaped Western thought. From tracing the persistence of classical myths in contemporary culture and the significance of this in shaping gendered identities and opportunities, through to analysis of individual plays and productions, Babbage reveals how myths have served in the theater as "pretexts" for ideological debate; enabling exploration of the fragile borders between mythic and the everyday and how revision has been regarded, not unproblematically, as a route towards restructuring the self. This makes compelling reading for anyone interested in women’s writing for the theater or wider practices of adaptation in literature and performance.
For candidates sitting the FRCR Part 1 examination to acquaint themselves with the new IRMER regulations.
This volume brings together a series of essays that interrogate the notion of figuration in Indian cinemas. The essays collectively argue that the figures which exhibit maximum tenacity in Indian cinema often emerge in the interface of recognizable binaries: self/other, Indian/foreign, good/bad, virtue/vice, myth/reality and urban/rural.