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The Reverend Mark Matthews
When the Reverend Mark Allison Matthews died in February 1940, thousands of mourners gathered at a Seattle church to pay their final respects. The Southern-born Presbyterian came to Seattle in 1902. He quickly established himself as a city leader and began building a congregation that was eventually among the nation’s largest, with nearly 10,000 members. Throughout his career, he advocated Social Christianity, a blend of progressive reform and Christian values, as a blueprint for building a morally righteous community. In telling Matthews’s story, Dale Soden presents Matthews’s multiple facets: a Southern-born, fundamentalist proponent of the Social Gospel; a national leader during the tumultuous years of schism within the American Presbyterian church; a social reformer who established day-care centers, kindergartens, night classes, and soup kitchens; a colorful figure who engaged in highly public and heated disputes with elected officials. Much of the controversy that surrounded Matthews centered on the proper relationship between church and state — an issue that is still hotly debated.
A Cognitive Psychology of Mass Communication
The eighth edition of this text remains an indispensable resource for mass communication psychology and media effects courses. This book gives readers an in-depth understanding of how media affect our attitudes, thinking, and behavior. Continuing its academically rigorous yet student-friendly approach to this subject, the new edition has been thoroughly updated to reflect our current media landscape. Updates include new research and examples for an increasingly global perspective, an increased focus on social media, additional graphics, special end-of-chapter application sections, and an expansion in the list of references to reflect the latest research discussed. The book continues to empha...
An Inspector Calls
The UK government's education policy is based on the setting of targets, yet the fear and loathing that an Ofsted inspection can generate is widely known. This text critically assesses the role, impact and effect of the inspection body and dissects its usefulness.
Whose Lives Are They Anyway?
The biopic presents a profound paradox—its own conventions and historical stages of development, disintegration, investigation, parody, and revival have not gained respect in the world of film studies. That is, until now. Whose Lives Are They Anyway? boldly proves a critical point: The biopic is a genuine, dynamic genre and an important one—it narrates, exhibits, and celebrates a subject's life and demonstrates, investigates, or questions his or her importance in the world; it illuminates the finer points of a personality; and, ultimately, it provides a medium for both artist and spectator to discover what it would be like to be that person, or a certain type of person. Through detailed ...
