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In Staging Politics and Gender , Cecilia Beach examines the political and feminist plays of French playwrights who have largely been overlooked until now. Beach highlights the importance of theatrical endeavors which women perceived as a powerful way to promote political opinions. The author analyzes the work of Louise Michel, Nelly Roussel, Marie Leneru, Vera Starkoff, and Madeline Pelletier and discusses anarchist theatre and forms of social protest theatre at the turn of the century.
Collection of 200 personal contributions taken from: Who's who of Australian women. North Melbourne : Crown Content, 2006.
The International Year of the Woman, 1975, signaled the beginning of a new era in theatrical expression for women in France. Our Voices, Ourselves: Women Writing for the French Theatre explores the circumstances surrounding the sudden burgeoning of feminine - and feminist - interest in the theatre. Some of the authors introduced here appear in print for the first time in the United States. Relying on both published and unpublished materials, as well as on interviews with many of the authors, this study seeks to stimulate interest in theatrical productions written, staged or directed by women. Recognition is given to women playwrights who are bringing new talent, insights and techniques to the French stage.
"Five months before her death of tuberculosis in 1884, Marie Bashkirtseff, an aspiring artist and a would-be mondaine, composed a preface to her personal diary. In it, she brazenly declared that in the event of her early death her diary was to be published. Three years later, a truncated version of the diary appeared. Translated into English, championed by Barres and Gladstone, taken up by young diarists from France to the US, the diary created a major sensation, remaining standard reading for young women in both the anglophone and francophone worlds until the 1930s. The first full-length study to explore the questions that reading Bashkirtseff's journal raises with respect to both genre and gender construction, Personal Effects examines the genre and gender issues at stake in Bashkirtseff's bid to go public with the personal, and explores the discursive strategies by which Bashkirtseff writes her journal from the private context of its keeping to a public context of reading. Wilson reads the diary as a performance of writing, one in which a display of the personal mediates between the subjective and the social, the private and the public."
Paul Pritchard gained a reputation as a climber of routes of extreme technical difficulty. In 1998, a horrendous accident left him paralyzed. This text recalls his climbing memories and tells of his fight for recovery.
Fourteen climbers and mountaineers tell their inspiring, insightful, hilarious, heart-warming and adrenaline filled stories of adventure and misadventure in Australia and beyond.
This checklist is witness to the vast and varied production of 20th-century French women playwrights. Like Beach's preceding volume, French Women Playwrights Before the Twentieth Century: A Checklist (Greenwood, 1994), this reference book presents an extensive list of dramatic works. Beach provides biographical information about the authors when known, as well as name variations (pseudonyms, maiden name, other marriages, etc.) The plays are listed chronologically under each author's name, followed by a variety of information about each work: genre, the place and date of publication and performances, and the location of over 2000 texts in published or manuscript form in French holding libraries. The checklist also includes a title index and a bibliography. This book provides a useful research tool not only for scholars interested in drama and/or women's literature, but also for theatre professionals.
This book takes readers on a breathtaking voyage stopping at 16 exceptional rock climbing destinations. From the wild interior of Madagascar, Simon Carter gives us an eagles view high up on the Tsaranoro Massif. Off the coast of Vietnam, he explores limestone karsts jutting from the glistening emerald-green waters of Ha Long Bay. In North America he seemingly employs wizardry to reveal Devils Tower's geometric multifaceted columns from unseen perspectives. Over on the Greek isle of Kalymnos, he navigates us through the bewildering three dimensional tufa jungles. Carter presents the giddying gyroscopic exposure from the perfect pillars of Tasmania's Tasman Peninsula. The Dolomite's wild alpine rock, Montserrat's crazy cobblestone towers and The Darran's Jurassic wilderness are just some of the other highlights along this spectacular circumnavigation of the globe.