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A Site of Struggle
Examines the vast array of art produced by African Americans in response to the continuing impact of anti-Black violence and how it is used to protest, process, mourn and memorialize those events.
Bill Traylor
Published on the occasion of the exhibition Bill Traylor: Drawings from the Collections of the High Museum of Art and the Montgomery Museum of Fine Arts, High Museum of Art, Atlanta, Georgia, February 5/May 13, 2012, Frist Center for the Visual Arts, Nashville, Tennessee, May 25/September 3, 2012, Mingei International Museum, San Diego, California, February 9/May 12, 2013.
Dale Kennington
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Alabama Creates
A visually rich survey of two hundred years of Alabama fine arts and artists Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous. Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Ar...
Visual Splendors
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Between Worlds
"Bill Traylor (ca. 1853-1949) is regarded today as one of the most important American artists of the twentieth century. A black man born into slavery in Alabama, he was an eyewitness to history--the Civil War, Emancipation, Reconstruction, Jim Crow segregation, the Great Migration, and the steady rise of African American urban culture in the South. Traylor would not live to see the civil rights movement, but he was among those who laid its foundation. Starting around 1939, Traylor--by then in his late eighties and living on the streets of Montgomery--took up pencil and paintbrush to attest to his existence and point of view. In keeping with this radical step, the paintings and drawings he ma...
CrossRoads
This first volume of "CrossRoads: A Southern Culture Annual picks up where its predecessor, the acclaimed biannual periodical "CrossRoads: A Journal of Southern Culture, left off when the latter ceased publication in the mid-1990s. Formerly edited by several graduate students affiliated with the University of Mississippi's Center for the Study of Southern Culture (primarily by current editor Ted Olson), "Cross Roads: A Southern Culture Annual will continue its original mission: to provide a forum for diverse perspectives on the South and on Southern culture through combining compelling new fiction and poetry from well-known as well as emerging Southern authors, with eloquent articles, memoirs, oral histories, and photo essays that interpret and celebrate relevant manifestations of the Southern cultural experience. "CrossRoads: A Southern Culture Annual will deepen readers' awareness of and connection to the South.
Grandeur of the Everyday
'Grandeur of the Everyday' is the first full-length volume dedicated to the life and work of Dale Kennington - an accomplished master of contemporary American realism.
