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With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their own little corners, John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page. The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.
Three excommunicated nuns, Nora, Agnes, and Celeste, join a paranormal unit sanctioned by the Catholic Church, in the hopes for redemption in God's eyes. As empaths, their jobs are to verify reports of demonic possession, and when their boss, Father MacLeod, is persuaded to investigate a house in a small New Hampshire town, the three women are chosen to assess these claims. Goffstown police files detail numerous extraordinary occurrences at the Moore house, including seven gruesome, unsolved killings.
Rhodes grants the truth of appearances to the clichés of the Jazz Age - the lost generation of writers, the era of mass consumption and the silver screen - while revealing their roots in a conservative ideology which sustained Republican rule.
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A study of four modernist writers and their relationship to their critics and era.
This collection of short fiction includes The street, in which Pakistani workers in Barcelona pursue a taboo affair, and Two somen, in which a taciturn Irish set designer confronts repressed emotions while working in her homeland.