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The Cambridge Companion to the Modernist Novel
The novel is modernism's most vital and experimental genre. With a chronology and guide to further reading, this 2007 Companion is an accessible and informative overview of the genre.
Being Modern
In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
Cultural Materialism
"Raymond Williams was the last of the great European male revolutionary socialist intellectuals born before the end of the age of Europe (1492-1945)."-Cornel West The work of Raymond Williams is of seminal importance in rethinking the idea of culture. He is widely regarded as one of the founding figures of international cultural studies. In tribute to his legacy, this edited volume is devoted to his theories of cultural materialism and is the most substantial and wide-ranging collection of essays on his work to be offered since his death in 1988. For all readers grappling with Williams's complex legacy, this volume is not to be missed. Contributors include Stanley Aronowitz, Graduate School,...
Hélène Cixous
Helene Cixous' analyses of the relations between sexuality and textual production have transformed theoretical discussion of gender and writing. Her work on the implications of a feminine economy in writing, and insistence on the bodily dimensions of textual production have led to a new understanding of the project of feminist literary criticism. Morag Shiach provides an introduction for the English-speaking reader to the range of Cixous's creative and theoretical writings. In dealing with Cixous' theoretical arguments, Shiach both clarifies the philosophical and historical context of her work, and insists on its novelty and specificity. The book offers close analysis of Cixous' fictional texts, as well as her discussions of the relations between the political and the textual. There is also a detailed account of Cixous' theatrical writings, and of her collaboration with the Theatre du Soleil. -- Publisher description.
Modernist Sexualities
Leading critics from Britain, Canada, and the US examine modernism's imaginative rethinkings of sex, gender, and sexuality. Original essays show how modernism intersects with the suffragette movement, technological change and its effects on women and labor, the growth of pseudo-scientific writings, and the burgeoning lesbian and gay movement. They show how modernism upsets the fixities of gender and sexuality through its fascination with ambiguities, marginality, and the crossing of borders. Sex reformers and sex changers, unsexed storytellers, typewriters, femme and butch experimenters, suffragettes in wide-brimmed hats, musical and dramatic pageants, adolescent delinquents, sunbathers, and dancing indigenes all play a role in the heterodox and varied modernism revealed in these essays.
Feminism and Cultural Studies
This collection brings together work in feminism and cultural studies from different countries and different historical moments. It combines "classic" articles with more recent work to offer an insight into the challenges and innovations of work within cultural studies.
Modernism, Labour and Selfhood in British Literature and Culture, 1890-1930
Shiach examines the ways in which labour was experienced and represented between 1890 and 1930. There is a critical tradition in literary and historical studies that sees the impact of modernity on human labour in terms of intensification and alienation. Shiach, however, explores a series of efforts to articulate the relations between labour and selfhood within modernism. Through readings of Sylvia Pankhurst and D. H. Lawrence, Shiach shows how labour underpins the political and textual innovations of the period. This study will be of interest to literary and cultural scholars alike.
Sexuality and the Reading Encounter
Can fictions of desire determine real pleasures? Do texts regulate the performance of our sexual identities? In Sexuality and the Reading Encounter Emma Wilson offers a new account of the intimate relations between reading, identity, and identification. Interweaving theoretical debate with analysis of texts by Proust, Duras, Tournier, and Cixous, her study reveals the formative potential and transferential pleasures of the reading encounter. Drawing on an understanding of identity as performative, alienated and fictitious, this study argues that the fictions we read act as mirrors and decoys displaying seductive images of intelligible sexual identities. The texts chosen for discussion here draw attention to the strategies by which identity is constructed textually. They work thus to frame the reading encounter and to highlight its formative power. In analysis of these texts, this study works to cut across the axes of homosexuality and heterosexuality, offering an alternative focus on the interdependence of identity and fantasy.
Disappearing Men
Disappearing Men examines the complex and rebellious representations of gender in the work of several writers of 'devolutionary' Scottish fiction in the period 1979 to 1999. The study focuses on the context of a 'crisis in masculinity' accompanying the rapidly changing male role in the period, concluding that men often disappear from sight in this writing, highlighting issues of male insecurity and female disorientation in a new gender landscape. Hence the novels examined here by authors James Kelman, Jancie Galloway, Jackie Kay, A.L. Kennedy and Alan Warner, strongly challenge the stereotype of the Scottish 'hardman' and his dominance in 20th century Scottish fiction. Disappearing Men disse...
