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The Sabras were the first Israelis—the first generation, born in the 1930s and 1940s, to grow up in the Zionist settlement in Palestine. Socialized and educated in the ethos of the Zionist labor movement and the communal ideals of the kibbutz and moshav, they turned the dream of their pioneer forebears into the reality of the new State of Israel. While the Sabras made up a small minority of the new society’s population, their cultural influence was enormous. Their ideals, their love of the land, their recreational culture of bonfires and singalongs, their adoption of Arab accessories, their slang and gruff, straightforward manner, together with a reserved, almost puritanical attitude tow...
Since the liberation of the Nazi concentration camps and recognition of the Holocaust as a watershed event of the twentieth century, if not in Western Civilization itself, the capacity of art to represent this event adequately has been questioned. As it analyzes a cross section of Holocaust art within the context of art history, Absence / Presence addresses the discussion head on and explores the interchange between media and horror. The book's contributors include case studies from a broad spectrum of artists in North America, Europe, and Israel to examine some of the more dominant themes in these artists' work. In addition to standard readings of Holocaust art, the essays help illuminate t...