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How can we create more inclusive spaces in the field of dance? This book presents a framework for dance practitioners and researchers working in diverse dance cultures to navigate academia and the professional dance field. The framework is based on the idea of "cultural confluences," conjuring up an image of bodies of water meeting and flowing into and past one another, migrating through what the authors refer to as the mainstream and non-mainstream. These streams are fluid categories that are associated with power, privilege, and the ability (or inability) to absorb other cultural forms in shared dance spaces. In reflective interludes and dialogues, Emoghene and Spanos consider the effects of migration on their own individual experiences in dance to understand what it means to carry culture through the body in various spaces. Through an analysis of language, aesthetic values, spaces, creative processes, and archival research practices, the book offers a collaborative model for communicating the value that marginalized dance communities bring to the field. This book will be of great interest to students, scholars, and arts administrators in dance.
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He never believed in fairytales until she knocked on his door. There isn’t a hurdle Raelyn Shaw, Morgan’s Bay’s party planner extraordinaire, can’t overcome. So, when a hurricane destroys her client’s venue, she is determined to find the perfect replacement. The old barn catches her eye, but when she knocks on the owner’s door, the last person she expects to see is her high school crush who went MIA a decade ago. Ryder Douglas became somewhat of a recluse after an accident took both of his parent’s lives. After all, he was the one behind the wheel. The scar on his face is a constant reminder of that awful night, and one of the reasons he stays hidden away. Nobody wants to be re...