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Sound and Vision
A reference to motion picture soundtracks. It discusses the rich history ofoundtracks, from composed film scores to movie musicals and songompilations. Divided into three parts, the book begins with an essayetailing the history of the field from its beginnings to the complexnternational business it has become, then offers an overview of many of theomposers who have written music for movies over the years, each with a briefiographical sketch and a discussion of their best work as made available onong-playing records or compact discs, and finally looks at movie musicalsnd song compilation scores that have been issued over the years. Aomprehensive bibliography is also included.
The Post
(Piano Solo Songbook). Steven Spielberg and John Williams have joined forces once again on a critically acclaimed movie with a memorable musical score. This collection features 7 piano solo selections from the soundtrack of this 2017 film: The Court's Decision and End Credits * Deciding to Publish * Mother and Daughter * The Oak Room, 1972 * The Presses Roll * Setting the Type * Two Martini Lunch.
Sound And Vision
An authoritative history & ref. guide to movie music, composers & song compilations. A detailed history of movie music on record & CD; up-to-date biographical sketches of soundtrack composers throughout movie history; & annotated listings of the best-selling, award-winning, or noteworthy soundtracks of the past & present -- original film scores as well as movie musicals & song-compilation scores. Jon Burlingame is a kind & knowledgeable critic of the state of the art. He chronicles those soundtracks that, by virtue of their quality, importance or popularity, should be made known to film music's ever-increasing audience. Includes an informative history of movie soundtrack recordings. Illustrations.
Film Music
Peter Larsen traces the history of music in film and discusses central theoretical questions concerning its narrative and psychological functions. He looks in depth at film classics such a Howard Hawks's 'The Big Sleep' and Hitchcock's 'North by Northwest' as well as later blockbusters such as 'Star Wars' and 'Bladerunner'.
Deleuze and Film Music
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film Music also offers a solution—a methodological bridge—that will take film music analysis to a new level.
Film Music
Classical purists say it isn't 'real' music, yet it regularly tops charts and plays to sell-out concert hall audiences. Chart music followers consider the orchestral form passé, yet artists are increasingly sampling from cinema classics. Many cinemagoers are unaware there is music accompanying the films they watch. Some composers say that's the way it should be. Others strongly disagree. This book celebrates the rich history behind all these views.
Sing
For voice and piano, with chord symbols and guitar chord diagrams.
Film Music: A Very Short Introduction
Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern th...
Movie Music, the Film Reader
This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.
