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Ethnic minorities, principally from Africa, Asia, the Caribbean and the surviving remnants of France's overseas empire, are increasingly visible in contemporary France. Post-Colonial Cultures in France edited by Alec Hargreaves and Mark McKinney is the first wide-ranging survey in English of the vibrant cultural practices now being forged by France's post-colonial minorities. The contributions in Post-Colonial Cultures in France cover both the ethnic diversity of minority groups and a variety of cultural forms ranging from literature and music to film and television. Using a diversity of critical and theoretical approaches from the disciplines of cultural studies, literary studies, migration studies, anthropology and history, Post-Colonial Cultures in France explores the globalization of cultures and international migration.
This volume pays tribute to the work of Professor Kate Marsh (1974-2019), an outstanding scholar whose research covered an extraordinarily wide range of interests and approaches, encompassing the history of empire, literature, politics and cultural production across the Francophone world from the eighteenth to the twenty-first century. Each of the chapters within engages with a different aspect of Marsh’s interest in French colonialism and the entanglements of its complex afterlives — whether it be her interest in the longevity of imperial rivalries; loss and colonial nostalgia; exoticism and the female body; decolonization and the ends of empire; the French colonial imagination; the pol...
Writerly Identities in Beur Fiction and Beyond explores the Beur/banlieue literary and cultural field from its beginnings in the 1980s to the present. It examines a set of postcolonial Bildungsroman novels by Azouz Begag, Farida Belghoul, Le la Sebbar, Sa d Mohamed, Rachid Dja dani, and Mohamed Razane. In these novels, the central characters are authors who struggle to find self-identity and a place in the world through writing and authorship. The book thus explores the different ways all these novels relate the process of "becoming" to the process of writing. Neither is straightforward as the author-characters struggle to put their lives into words, settle upon a genre of writing, and adopt...
This book will enlighten readers on the importance of literature in contributing to historical knowledge. Will provide readers with comprehensive understanding of the development of writing by French authors of Algerian origin, from its emergence in the 1980s to the present day. Emphasizes the contemporary relevance of the Algerian War and the afterlives of empire on twenty-first century society and culture.
The relationship between Algeria and France that formed during the 132 years of colonial rule did not end in 1962 when Algeria gained its independence. This long period of occupation left an indelible mark on the social fabric of both societies, one that continues to influence their cultures, identities, and politics. Wide-ranging in scope yet complementary in focus, the essays deftly convey the extent to which the French colonial experience in Algeria resonates on both sides of the Mediterranean. Young and established scholars shed light on the linguistic, cultural, and social mechanisms of violence, remembrance, forgetting, fantasy, nostalgia, prejudice, mythmaking, and fractured identity....
The first comprehensive survey of its kind in English, this book examines the experience of immigration as represented by authors who moved to France from the Caribbean, the Maghreb, sub-Saharan Africa, and Asia after World War II. Essays by expert contributors address the literary productions of different ethnic groups while taking into account generational differences and the effects of class and gender. The focus on immigration, a subject which has moved to the center of many sensitive social and political debates, raises questions related to cultural hybridity, identity politics, border writing, and the status of minority literature within the traditional literary canon, all of which con...
In Past Forward: French Cinema and the Post-Colonial Heritage, author Dayna Oscherwitz focuses on the world of French films with a new lens. Drawing upon a wealth of research and the examination of popular French movies, Oscherwitz offers fresh perspectives not only on the unique importance of motion pictures and their indelible influence on French character, but on current debates regarding individual and collective memory. Past Forward traces the development and ascension of the French heritage film—those historical and costume dramas focusing on prestigious French subjects, events, and settings. These motion pictures, preeminent during a period of globalization and fear over the affects...
Derderian looks at the large North African population in France and their attempts for recognition in a country which has long denied its rich immigration past and present. He considers how the North African community has developed from the late 1970s to the mid-1990s, especially in their political and cultural initiatives. Derderian examines the radio station Radio Beur and the television show La Famille Ramdam , as well as political initiatives and the role of ethnic minorities in defining prominent French sites of memory such as the working-class suburbs or banlieues and the Algerian War. Based largely on oral history, Derderian draws from a wealth of interviews with North African artists and creators as well as various French cultural actors.
A comprehensive exploration of Paris through the texts and experiences of a vast and vibrant range of authors.
This volume seeks to investigate the representation of the migrant and migration in literary texts and the arts. Through studies that examine works in a range of art forms ‒ novels, theatre, poetry, creative non-fiction, documentary films and performance and video installations ‒ that evoke a variety of historical and (trans)national contexts, the volume focuses on the question of the roles of literature and the arts in representing migration. An important issue considered is the extent to which artistic figuration can act as a counterpoint to social discourse on migrants that often involves stereotypes and reductive views. The different contributions to the volume illustrate that literature and the arts can provide readers and viewers with a space for fluid knowledge production and affective expansion and that within that overarching function, artistic works play three main roles with regard to representing migration: undertaking a socio-political and cultural critique, presenting alternative views to stereotypes that highlight the singularity and complexity of the migrant and providing proposals for different futures.