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The Roman Eastern Frontier and the Persian Wars AD 363-628
Late Antiquity was an eventful period on the eastern frontier of the Roman empire. From the failure of the Emperor Julian's invasion of Persia in 363 AD to the overwhelming victory of the Emperor Heraclius in 628, the Romans and Persians were engaged in almost constant conflict. This book, sequel to the volume covering the years 226-363 AD, provides translations of key texts on relations between the opposing sides, taken from a wide range of sources. Many have never before been available in a modern language, and all are fully set in context with expert commentary and extensive annotation. For more information please visit the author's supplementary website at http://aix1.uottawa.ca/~greatrex/ref.html
The Legend of Sergius Baḥīrā
This book offers editions and translations of the Syriac and Christian Arabic versions of the originally ninth-century Legend of Sergius Baa, ArA, which portrays Islama (TM)s political might as predestined but finite and its scripture and religion as derivative of Christianity
Facts and Artefacts - Art in the Islamic World
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme – the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kröger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
East Rome, Sasanian Persia and the End of Antiquity
The last, longest and most damaging of the wars fought between East Rome and Sasanian Persia (603-628) brought the classical phase of west Eurasian history to a dramatic close. Despite its evident significance, not least as the distant setting for Muhammad's prophetic mission, this last great war of antiquity attracted comparatively little scholarly attention until the last decades of the twentieth century. James Howard-Johnston's contributions to the subject, most of which were published in out-of-the-way places (one, that on al-Tabari, is printed for the first time), are brought together in convenient form in this volume. They strive to root history in close observation of landscape and monuments as well as careful analysis of texts. They explore the evolving balance of power between the two empires, look at events through Roman, Armenian and Arab eyes, and home in on the climax of the final conflict in the 620s.
The Legend of Mar Qardagh
This pioneering study uses an early seventh-century Christian martyr legend to elucidate the culture and society of late antique Iraq. Translated from Syriac into English here for the first time, the legend of Mar Qardagh introduces a hero of epic proportions whose characteristics confound simple classification. During the several stages of his career, Mar Qardagh hunts like a Persian King, argues like a Greek philosopher, and renounces his Zoroastrian family to live with monks high in the mountains of Iraqi Kurdistan. Drawing on both literary and artistic sources, Joel Walker explores the convergence of these diverse themes in the Christian culture of the Sasanian Empire (224-642). Taking the Qardagh legend as its foundation, his study guides readers through the rich and complex world of late antique Iraq.
The Arabesque
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The Mediation of Ornament
How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
