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Concerned with the cultural and economic roles of independent bookstores, this collection considers how eight shops created during the modernist era exceeded their commercial functions to open the spaces of literary production. Understanding these unique social spaces on the threshold of commerce and culture provides a basis for comprehending how the changes to the physical contexts of the twenty-first century reading experience have affected our relationship to books and reading.
WINNER OF THE WALES BOOK OF THE YEAR AWARD 2020 SHORTLISTED FOR THE WAINWRIGHT PRIZE 2020 __________________________ 'A moving story of love, tradition and landscape.' Evening Standard, 'Books of the Year' 'A moving, multilayered memoir... extraordinary, ambitious... its scope is immense. A book that is deep in riches.' Simon Callow, Guardian 'A marvellous book... an uplifting tale of tranquillity sought and found in the nearest Britain gets to paradise.' Simon Jenkins 'There are worlds on worlds within this lyrical and profoundly cultured book. In an age of toxic artifice, this is the most necessary medicine: the tenderness of reality and the living, elemental, world.' Jay Griffiths _______...
The true story of MI5's persecution of a British citizen across various countries since 1990. First the TV newscasters watched me while they read the news. Then co-workers were subverted which continued throughout my working life. MI5 sent people in the street to stalk me. On 17 November 2001 they ordered Americans to shoot me, and their plot failed. Finally in August 2005 began the Mind Control Torture which has continued ever since whereby security service agents read my thoughts and repeat them interspersed with swearing and sexual abuse.
This book is a comprehensive single-volume history of literature in the two major languages of Wales from post-Roman to post-devolution Britain.
QUEER SQUARE MILE: Queer Short Stories from Wales Edited by Kirsti Bohata, Mihangel Morgan and Huw Osborne This ground-breaking volume makes visible a long and diverse tradition of queer writing from Wales. Spanning genres from ghost stories and science fiction to industrial literature and surrealist modernism, these are stories of love, loss and transformation. In these stories gender refuses to be fixed: a dashing travelling companion is not quite who he seems in the intimate darkness of a mail coach, a girl on the cusp of adulthood gamely takes her father's place as head of the house, and an actor and patron are caught up in dangerous game-playing. In the more fantastical tales there are ...
Based on the highly successful course at the School of Visual Arts developed by the author, this book provides a comprehensive approach to the critical understanding of photography through an in-depth discussion of fifteen photographs and their contexts – historical, generic, biographical and aesthetic. This book presents an intensive course in looking at photographs, open to undergraduates and general audiences alike. Rexer argues that by concentrating on fifteen carefully chosen works it is possible to understand the history, development and contemporary situation of photography. Looking to images by photographers such as Roland Fischer, Nancy Rexroth and Ernest Cole, The Critical Eye is the only book to address the totality of issues involved in photography, from authorial self-consciousness to the role of the audience. Its subjects are not limited to art photography but include vernacular images, commercial genres and anthropology. With every chapter it seeks to link the history of photography to current practice. This highly illustrated and beautiful book provides a much-needed introduction to image production.
The trade in books has always been and remains an ambiguous commercial activity, associated as it is with literature and the exchange of ideas. This collection is concerned with the cultural and economic roles of independent bookstores, and it considers how eight shops founded during the modernist era provided distinctive spaces of literary production that exceeded and yet never escaped their commercial functions. As the contributors show, these booksellers were essential institutional players in literary networks. When the eight shops examined first opened their doors, their relevance to literary and commercial life was taken for granted. In our current context of box stores, online shopping, and ebooks, we no longer encounter the book as we did as recently as twenty years ago. By contributing to our understanding of bookshops as unique social spaces on the thresholds of commerce and culture, this volume helps to lay the groundwork for comprehending how our relationship to books and literature has been and will be affected by the physical changes to the reading experience taking place in the twenty-first century.