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In its first edition Dictionary of Literary Pseudonyms established itself as a comprehensive dictionary of pseudonyms used by literary writers in English from the 16th century to the present day. This new Second Edition increases coverage by 35%! There are two sequences: Part I - which now includes more than 17,000 entries- is an alphabetical list of pseudonyms followed by the writer's real name. Part II is an alphabetical list of writers cited in Part I-more than 10,000 writers included-providing brief biographical details followed by pseudonyms used by the wrter and titles published under those pseudonyms. Dictionary or Literary Pseudonyms has now become a standard reference work on the subject for teachers, student, and public, high school, and college/universal librarians. The Second Edition will, we believe, consolidate that reputation.
First Published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.
In this pioneering work Victor Neuberg has assembled a wealth of information about popular literature, from the invention of the printing press to the present. This guide, by judicious selection, gives a vivid picture of the range and variety of popular literature and its producers. Besides describing the main genres, the author has also included the social, cultural and commercial background to the production of popular literature, factors that were crucial in influencing the forms it took.
Traditional analyses of nineteenth-century politics have assigned women a peripheral role. By adopting a broader interpretation of political participation, the author identifies how middle-class women were able to contribute to political affairs in the nineteenth century. Examining the contribution that women made to British political life in the period 1800-1870 stimulates debates about gender and politics, the nature of authority and the definition of political culture. This volume examines female engagement in both traditional and unconventional political arenas, including female sociability, salons, child-rearing and education, health, consumption, religious reform and nationalism. Richardson focuses on middle-class women’s social, cultural, intellectual and political authority, as implemented by a range of public figures and lesser-known campaigners. The activists discussed and their varying political, economic and religious backgrounds will demonstrate the significance of female interventions in shaping the political culture of the period and beyond.
I became an urban historian because I believed that our cities deserved more of our curiosity and idealism. In City Dreamers Graeme Davison restores Australian cities, and those who created them, to their rightful place in the national imagination. Building on a lifetime’s work, Davison views Australian history, from 1788 to the present day, through the eyes of city dreamers – such as Henry Lawson, Charles Bean and Hugh Stretton – and others who have helped make the cities we inhabit. Davison looks at significant individuals or groups that he calls snobs, slummers, pessimists, exodists, suburbans and anti-suburbans – and argues that there’s a particular twist to the ways in which Australians think about cities. And the ways we live in them. This extraordinary book excavates the cultural history of the Australian city by focusing on ‘dreamers’, those who battle to make and re-make our cities. It reminds us that for most of us the city is home, and it is there that we find belonging.