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First multi-year cumulation covers six years: 1965-70.
Explores the people of Ladakh, their customs, beliefs and traditions.
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The Book Makes A Serious Attempt To Go Into The Reasons Why Lord Buddha Called His Dharma As Aryadharma.
This monograph presents a diverse collection of articles on Indian Art Music based on analytical work aided by computational tools. The book focuses mainly on the current practices in music and its representation in audio recordings, a perspective that is particularly relevant to oral traditions. It presents a rare and unique example of collaboration between musicians, musicologists, scientists, and engineers. The presentation brings together various aspects of research on Indian art music that benefits from audio processing or computing, ranging from musicology to information retrieval to instrument modeling. It is hoped that the monograph will serve as an accessible introduction to computational approaches for Indian art music in particular, and ethnomusicology more generally.
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Scholarly, insightful and, at the same time, written in an exceptionally lucid style, this book challenges certain stereotypes relating to Islam, Sufism, folk songs and inter community relations in the South Asian context. By consulting Persian, Urdu, Bengali and English sources, this book suggests that Sufism is more heterogeneous and complex than what is commonly taken to be.
Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists cul...
European intrusions had many impacts on invaded peoples, but less attention has often been paid to changes brought about by the encounter in everyday life and behaviour, both for the Europeans and the other cultures. What changed in diet, dress, agriculture, warfare and use of domesticated animals, for example ? To what degree were attitudes, and thus behaviours affected ? How did changes in the use of types of firearm reorder power structures, indeed lead to the rise and fall of competing local states ? Even the design and planning of houses and cities were affected. This volume looks at such changes in the early centuries of European expansion.