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The story of the final recordings of one of the greatest jazz musicians of the twentieth century
L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African, Caribbean, and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The groupÑincluding Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene DavisÑshared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, cont...
Henry Mancini's Peter Gunn theme. Lalo Schifrin's Mission: Impossible theme. Isaac Hayes' theme from Shaft. These iconic melodies have remained a part of the pop culture landscape since their debuts back when movie studios and TV production companies employed full orchestral ensembles to provide a jazz backdrop for the suspenseful adventures of secret agents, private detectives, cops, spies and heist-minded criminals. Hundreds of additional films and television shows made from the mid-1950s and beyond have been propelled by similarly swinging title themes and underscores, many of which have (undeservedly) faded into obscurity. This meticulously researched book begins with Hayes' game-changin...
In Experiencing Jazz: A Listener’s Companion, writer, teacher, and renowned jazz drummer Michael Stephans offers a much-needed survey in the art of listening to and enjoying this dynamic, ever-changing art form. More than mere entertainment, jazz provides a pleasurable and sometimes dizzying listening experience with an extensive range in structure and form, from the syncopated swing of big bands to the musical experimentalism of small combos. As Stephans illustrates, listeners and jazz artists often experience the essence of the music together—an experience unique in the world of music. Experiencing Jazz demonstrates how the act of listening to jazz takes place on a deeply personal leve...
Publisher description
How To Be A Professional Drummer is the only drum book that focuses on the career and business side of being a professional drummer; as well as give creative input. It's not easy navigating your career in today's music climate, so it's best to come up with a plan. Learn over 25 different careers for drummers, how to travel the world without having to be a Rock Star, how to keep a steady cash flow, and much more. At the end of each chapter are important questions to answer, so by the end of the book you also have a complete action plan! Inside you will learn from some of the greatest professional drummers and percussionists in the music industry; from all walks of life. They gig regularly, do recording sessions, have DVD's, and have played with acts such as: Stevie Wonder, Christina Aguilera, Carlos Santana, Kenny Loggins, Ricky Martin, Gloria Estefan, Al Jarreau, Neil Diamond, Sergio Mendez, Smokey Robinson, Chicago, George Duke, Stanley Clarke, Michael McDonald, and many more.
A filmography of Blacks in the film industry
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking. Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers. Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are activel...
"Published with the assistance of the Getty Foundation"--Title page
Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds.