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Please Do Not Touch
A witty and revealing memoir of the mid-1990s, when high design became art and there was no more exclusive club for high design than MOSS. For almost twenty years the SoHo design gallery MOSS was the place where design, art, money, and glamour mixed. Murray Moss, the impresario behind the shop, and his partner, Franklin Getchell, were the leading arbiters of good taste and the new—launching the careers of now-established designers such as Studio Job and Maarten Baas while bringing back into fashion eighteenth-century porcelain and Tupperware. By mixing high and low MOSS shifted the design conversation from the galleries of MoMA to a storefront in SoHo. Please Do Not Touch is their witty in...
Tertium Quid
By turns humorous, striking, mysterious and surprising, these photographic pairings by MOSS design shop founder Murray Moss reveal unanticipated elements of the objects' personalities. "Some are duets, or fugues," Moss writes. "Some dance a pas de deux. Many are six degrees incarnate. And others are conversations between strangers who share a bench in the park and discover common ground." Reproduced at the actual size of the original photos, with both the front and the often annotated back presented with equal importance, these artifacts, "retired now from their labors, are akin to those exceptional functional objects that have served their time and have later come to be appreciated, even coveted and exalted, for the extraordinary qualities that lie outside of their original function."
Limited Edition
Limited Edition is the new buzzword in furniture design. The demand for unique pieces is steadily increasing. With prototypes, one-offs and limited product lines, designers are celebrating a cult of individuality for all price classes. Furniture prototypes have always been an element of the industrial design process, but now they are being brought from the workshops and presented to the public as embodiments of one of the most exciting creative fields of our age. In the global village with its standardized commodities, exclusive one-offs with an artisanal flavor are turning into coveted objects. Limited furniture series satisfy the collector’s thirst for objects that dissolve the boundary between art and design. Limited Edition pursues this new phenomenon and uncovers its background in meticulous investigative essays based on the author’s ongoing interchange with key designers, gallery owners, auctioneers and manufacturers. With a rich selection of magnificent images and an attractive layout, it presents the best and most breathtaking pieces by the leading designers.
Baccarat
The first book on the house of Baccarat, one of the oldest and most preeminent luxury brands in the world, renowned for its fine crystal creations. Baccarat celebrates more than 250 years as one of the most important and prestigious luxury houses. Acclaimed for its high-quality traditional craftsmanship of fine crystal stemware, barware, candelabra, perfume bottles, and jewelry, Baccarat is known the world over as a symbol of quality and refinement. Highlighting the extraordinary range of Baccarat's crystal creations--from its trademark iconic glassware commissioned by royalty and heads of state from around the world and throughout the centuries to their contemporary creative collaborations ...
Public Relations in Britain
In this book the author asks a big question: how did public relations develop in Britain and why? The question is answered through a broad ranging narrative which links the evolution of British public relations in the early twentieth century to key political, economic, social, and technological developments. Drawing on oral history interviews and extensive archival research the book highlights some of the sociological issues relevant to a study of public relations and foregrounds the professionalisation of the occupation in the second part of the twentieth century.
Public Relations in Britain
In this book the author asks a big question: how did public relations develop in Britain and why? The question is answered through a broad ranging narrative which links the evolution of British public relations in the early twentieth century to key political, economic, social, and technological developments. Drawing on oral history interviews and extensive archival research the book highlights some of the sociological issues relevant to a study of public relations and foregrounds the professionalisation of the occupation in the second part of the twentieth century.
